Tips for Faking Regency Costume Details #2

Clocked is a strange word. When I was young, when someone said “I clocked him,” I’m pretty sure it meant they hit him hard. I think it meant in the head, but I’m not sure. It’s not a word that I use in everyday conversation.

In Regency fashion, there are clocked stockings. This does not refer to anything resembling a clock as far as I can tell. It means stockings with a design on them.

Faking Regency Designs on Gloves and Stockings

Embroidered kid gloves, 1800-1830, National Trust Museums

Embroidered kid gloves, 1800-1830, National Trust Collections.

1775-1829 stockings, Victoria and Albert Museum

1775-1829 stockings, Victoria and Albert Museum

Embroidery or painting on stockings and gloves was an embellishment that was enjoyed by at least a few Regency ladies (and men), judging by the museum examples. Interestingly, an etiquette book of the time, Mirror of the Graces, frowns on clocked stockings. It looks like fashion won in consideration of a stuffy old guidebook!

Some of my stockings and gloves got a fake Regency treatment this weekend: I used fabric paint to apply designs. A stencil purchased for half price at Michaels was used in three different ways, by masking some of the areas with packing tape each time. Once I’d done all I could with the stencil, I decided to try a bit of freehand with the four colours of paints I had.painting accessories all

The floral designs on the white tights and the short and long white gloves were made with the stencil. The pink long gloves and the knee-high stockings are my attempt at freehand, loosely referring to photos of existing museum pieces (see below). Not bad for a non-crafty redheaded romance author!

Cotton fabric embroidered gloves, circa 1790-1810, bias cut for stretch, gold and sequinned scrollwork, pale pink, floss silk detailing.

Cotton fabric embroidered gloves, circa 1790-1810, bias cut for stretch, gold and sequinned scrollwork, pale pink, floss silk detailing.

Stockings, early 19th century Cooper Hewitt collection

Stockings, early 19th century, Cooper Hewitt collection.

Stockings, 1810, English, Kyoto Museum

Stockings, 1810, English, Kyoto Museum

 

 

 

 

 

 

painting accessories closeup to show detailI didn’t bother with the coloured tights as for now, the colours don’t suit my gowns.

The pens tended to bleed in the fabric, and the bottled paints were a bit puffy. After the first items, I used the pens for light lines and not fill, and used a Q-tip to apply the paint so it was smoother. If I was doing this again, I’d consider getting additional colours, but these were all I found on sale the day I bought them at Michaels.

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How to Make Easy Back Gathers on Regency Gowns

One of my favourite tricks for faking Regency is to use drapery tape to make the back gathers for a gown. The tape must be the kind that makes all uniform gathers, and not pinch pleats. I had some 1″ wide tape I got in two meter-long pieces at a thrift store for $1 a long time ago. I used it to make the last-minute “emergency” gown for the JASNA outing I had a few weeks ago. Belt backing tape can be seen for the non-gathered part.gathering tape and waistband material inside paisley embroidered fabric for use as a skirtpaisley fabric gathered using drapery tape

There are two ways to use the drapery tape to make your Regency gathers in the back of the gown.

  1. The simplest is to machine sew the tape onto the gown. Take care not to sew on the strings. Gather using the strings, tie the strings, cut shorter, and leave in place.
  2. The second method allows re-use of the drapery tape and less bulk in the back of the gown. Hand-baste the drapery tape on, but do not lock the end of your basting thread, rather, leave an inch or so free. Once you’ve sewn your skirt to the bodice, the gathers are fixed, and all you need do is tug on the knot on your basting threads to pull them free and remove the drapery tape to use on another skirt.

You want to have at least three times the width of fabric as your final gathered amount, and 4-5 times looks pretty.

Depending on your fabric, you may want to leave a seam allowance above the drapery tape. Because my fabric (above) had a border, I ran the tape at the top edge, then hand-stitched it to the bodice.

If you’re interested in standard methods for gathering fabric, this video from Teach Yourself to Sew shows three different methods.

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To Zipper or not to Zipper–or To Fake!

When you get a vintage or other type of newer-than-Regency gown and wear it for a Regency gown, to be authentic, you should remove the zipper. Regency alternatives were ties, hooks and eyes, or buttons, or they were pinned closed by a lady’s maid.

In most cases, a replacement closure for the zipper is not necessary on the skirt, as the ribbon or belt holds the top edges together. The skirt is loose due to the gathers, and should overlap. The concern would be to ensure the bodice fit is snug.

There may be gaps between the replacement closures. In the Regency, so many undergarments were worn, the gap was of little consequence; however, some modern women balk at the idea.

ribbon ties on back of original morning gown suzan lauderMost often, Regency gowns used ties to close at the back, and this is an easy-to-install and inexpensive closure. Discount and craft stores have narrow ribbons in limited colours for under $2 a roll, and attractive cords are under $1 a meter.

In the absence of a lady’s maid, to fake Regency with modern modesty, retain your zipper and add ribbon or light cording ties over it at a couple of locations. At right, two are tied and the lower one is not, so you can see where they’re attached. Care must be taken not to catch the ties when using the zipper.

At 12″, mine were too long; 6″-8″ would suffice.

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To close the front of the “emergency” gown, I used hooks and eyes. This is not truly faking as they were common on Regency gowns. When hooks and eyes were used, seamstresses weren’t stingy, and used a lot of them.

Packages of individual hooks and eyes are inexpensive, and come in black, white, or steel in most stores, and some stores offer additional colours at a premium. They are fussy to sew on individually but are excellent in some cases, such as holding a short width or edges together.

For ease of installation when multiple hooks and eyes are needed, cotton tape with hooks spaced about every inch, and matching tape with eyes, is sold by the meter. I was lucky to get the tape with hooks on sale, but the tape with eyes was regular price.

An alternative to the tape with eyes (at half the price per meter) is a product intended for long rows of buttons, which looks like woven cording with loops every half inch or so. The loops appeared to align with the hooks, and for short lengths, they’re okay, but they’re just enough out of sync that, for longer lengths, I need to skip an extra one every so often.

As you can see, I used both types: tape on the crossover v-neck and individual hooks on the belt edge of the skirt. The installation was fair to both right and left handed openings!

hooks and eyes on emergency dressemergency dress closure

 

 

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As much as we like buttons these days, they were less common on Regency women’s wear. Jane Austen remarked in a letter to her sister Cassandra that buttons were quite dear. Men’s clothing most often had self-covered buttons, but ladies’ used metal, shell, ivory, stones, gems, and similar materials.

Mother-of-pearl buttons are okay if you can find them, as are buttons made with fine cording such as Dorset buttons. Don’t use plastic buttons unless they are an excellent fake.

Pearl and metal buttons, 1780 to 1820, Luckcock Collection, Birmingham Museum of Art

Pearl and metal buttons, 1780 to 1820, Luckcock Collection, Birmingham Museum of Art

Dorset buttons

Dorset buttons

You could put fake buttons and loops on the gown just as you did for the ribbon ties, and keep your zipper.

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Next post: I left all the hand-sewing for items like Mr. Suze’s coat to the last minute, and not much new is happening at the moment! I’ll try to take a photo or two of my ball gown as I complete it this week, but since I’ll be traveling prior to the JASNA AGM in Louisville, Kentucky on October 9-11, 2015, it will be a meager post!

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The best word EVER: GIVE-AWAYS!

On October 8-11, while I’m in Louisville, there will be a draw for daily prizes from my stash of reticules, Regency accessories, and other goodies. The Regency items are one-of-a-kind. Though they’re hand made by someone who’s not crafty (so less than perfect), I’ve signed each one and added my signature pagoda parasol.

There are two ways to enter:

1) Comment on any Thrift Shop Regency Costume Experiment post on road trips with the redhead, with your email address (username at host dot com), or

2) approach me at the JASNA AGM and ask for a Parasol in a Ballroom. I’ll collect your name and email address.

**The first person who enters either way whose initials are M.C. is an automatic winner of a velvet reticule with your initials embroidered on it!

I’ll attempt to deliver winning prizes from the AGM while I’m there, and blog comment prizes will be mailed. Good luck!

The trials of Regency correctness in fiction writing: My guest post on Austen in August

Words coined during Queen Victoria’s era, critical plot points that require our hero to travel to London from Derbyshire and back twice in the same week, a twist that depends on English Parliament sitting in the fall in the wrong year–these elements creep into our Regency fiction writing every so often, and the poor author must re-think the scene. All three have affected my latest novel! On top of it, there’s technology and medicine, titles and inheritance law, etiquette and fashion… all must be in order in an Austen-inspired Regency romance, or beware!

When literary historian and blogger Roof Beam Reader was looking for guest blogs for his annual Austen in August series, I suggested a tongue-in-cheek summary of the challenges with keeping true to the era, and the energetic viewpoints of Austen enthusiasts regarding historical accuracy in Jane Austen Fan Fiction on some story boards. It was a new topic to him, and he was keen, as no one had taken this direction on his blog yet.

Regency lady writing: did she have issues with anachronisms? --From Ackermann's Repository for Art, 1813.

Regency lady writing: did she have issues with anachronisms? –From Ackermann’s Repository for Art, 1813.

Click here to read my post on Regency correctness on Roof Beam Reader’s blog! #AusteninAugustRBR

If you’ve already signed up for the Austen in August reading challenge, you can enter the giveaway, too! I’ve donated a signed copy of my Regency romance with a mystery twist Alias Thomas Bennet, a choice of reticule from a set including the two I upcycled for the “Pretty Little Purses” post for the Thrift Shop Regency Costume Experiment, and a special “grown-up lady” lace cap to be made to order.

November 2, 2014: Bingley and Darcy walked into a bar… La La Land

Sometimes you’ve been down that road before. In the case of Monterey to San Luis Obispo, that was the case, so we’d seen some of the main tourist sights down the road, but had missed the 17-mile Drive, so that was the start to this leg of the trip to San Diego: Monterey to Los Angeles. I’m not sure why the 17-mile Drive is supposed to be so important. Perhaps I have too many similar roads near where I live. They don’t cost $10, either.

The next new and exciting stop for us was Santa Barbara. We took the route through the mountains, and the view of the city as we descended could only have been better at night. It was beautiful. We didn’t stay long because we were off to Oxnard for dinner with JAFF author and close friend josurinu.jos

It was a highlight of my day to finally meet her. She and I had both assisted each other in writing when we were new and fresh at AHA, and learned a lot together. She was more beautiful than in photos, and had grown sophisticated from her job, though DH caught a couple of her classic double entendres! Oxnard is kind of a signal of spring in Canada: that’s where the first strawberries of the season come from, a good month before the local ones.

The next morning, we wandered around Santa Barbara for a while, taking in Stearns Wharf and the Mission, then drove towards Los Angeles via Malibu Drive.

We live near the water, and a new building was built in front of us recently, blocking half our view—if you don’t own the view, someone else will build in front of you eventually. So the homes on stilts along Malibu Drive appealed to me! It was one of the parts of the trip where we had the roof down, so we could enjoy houses perched above us as well.

(The weather was so warm on this trip, we actually had the roof up and air conditioning on quite a few times!)

We arrived at the LA home of LalitaD for a late lunch. I wasn’t in the door two minutes, and she put me to work puffing up the roti for lunch. It was so fun! We told her our plans: bus tour for highlights, the Observatory, Getty museum, Chinese theatre, Venice beach.roti

She said no bus tour. What?

All of a sudden, we were whisked along behind probably the most proud Angeleno that exists for a two-day personal tour with some backstage entries! Lalita and Mr. D. love their city, and were keen to show it off.

First stop was photos with the “Hollywood” sign at the Griffith Observatory, then a tour and the show. I have to admit, I snoozed a bit. But I do that in movies sometimes, too.

Then we were off to see the next highlight. She knew where the best photos could be taken, where the best stars were, the best streets if you want to dally in traffic, and the fastest routes otherwise. We saw all we wanted, a bit more, but the sorts of things that interested us, and no stars homes, studios, or amusement parks were involved. Well, except that one of those game show girls lives on their street.

But here’s the problem. Lalita loves to drabble. It comes out every so often, but most of the time, she’s not as energetic as she was in the Getty.

I was looking at a cool painting, and a little voice whispered, “Bingley and Darcy walked into a bar…”

I laughed. Out loud. In the Getty. The J. Paul Getty Museum, one of the most important freakin’ art galleries in the world. I go redder than Elizabeth when Darcy casually touches her for the first time, and clap my hand over my mouth. She sniggers. Quietly.

A few minutes later, in the next gallery, she whispers again. I can’t hear, and she’s little, so I duck down. Same deal. Story continues. I laugh, then stop myself. She loves it.

Then the grand finale: “Most of all, Darcy would remember the straps, those red straps that wrapped around her ankles.” I cracked up. The docent scowled and took one step forward. I made sheepish eye contact, and he retreated. The little sneak just grinned to herself.

I deserved every bite of that gourmet oatmeal she made the next day. Every bite.

Plus, our last night, she took me here:

firth zoom

Next post: The Real Orange County Housewives, er, Book Club?

January 4, 2014: Eight Blogs in Nine Days, January 7-15!

As much as Jakki Leatherberry of Leatherbound Reviews would look great in the passenger seat, this is a trip that’s a bit too intense for the little car. Time to pull out the passport and the big suitcase (parka for the north, sunscreen for the south) because we’re heading to all kinds of interesting places. It’s the Leatherbound Reviews Alias Thomas Bennet Blog Tour, January 7-15, 2014!

ATB Blog Tour Banner

Did you wonder about that boat on the cover of Alias Thomas Bennet? Follow me across the sea to Italy (that could be a children’s song!) where I’ll blog about Thomas and Fanny Bennet’s boat trip on My Jane Austen Book Club on January 7 (which also happens to be Christmas Day in my family!).

From there, we’ll fly back to sneak some peeks at my book with an excerpt at eclectic blog Everything Books and Authors on January 8: more about that boat you see on the cover! We’re on the move from here, because on January 11 My Love for Jane Austen will feature a short clip with insight into some threats to the comfortable life Thomas Bennet has built for himself and his family, and on January 15 Elizabeth will find herself in a very precarious situation on Addicted to Jane Austen. But I’m known as the secret-keeper, so these are still going to be “teaser” posts, and you’re still going to have to read the book to find out everything!

I’m down for some cool quizzing with an author interview on Songs and Stories on January 10 following a review on January 9, then my friend and fellow AHA Chat Chit Rose Fairbanks will also interview me on her blog, The Darcy Obsession, on January 12.

Finally, join me in perusing reviews of my book, Alias Thomas Bennet, written by mega-reader Anna at Diary of an Eccentric, and Spanish language blog Warmisunqu’s Austen, on January 14 and 15 respectively. I know Warmisunqu is a great fan of Janet Taylor’s cover for ATB, and I hope she finds the book equally satisfying.

It’s going to be quite the trip. You’ll be surprised as the excerpts drive the story forward with glimpses into the dramatic tension in various sections of the book, and I think I’ll be equally surprised to react to the interviews and reviews. There will be plenty of chances for you to comment on each blog, as well as give-aways for those who love to win stuff. See you at the luggage carousel!

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Alias Thomas Bennet is available at Amazon or Barnes and Noble.

December 18, 2013: Outtake from Alias Thomas Bennet at Austenesque Reviews

I never knew Alias Thomas Bennet was so full of hints and spoilers until I tried to figure out what text I could present as an excerpt for a blog post. I love to tease readers about what might come next, but I’d also like them to have a chance to feel the excitement as each little thing is exposed and their suspicions are confirmed, and it wouldn’t be fun if you already knew everything before you read the book. So for today’s guest blog at Austenesque Reviews, I offered to write an outtake, something brand new and unique, to give the flavour of ATB without giving too much away. Meredith liked the idea, and I hope you do, too.

Austenesque Reviews

I didn’t bug my editor, Gail, to check this scene out (she’s on the road again!), but my friend Maria had a look and confirmed it wouldn’t embarrass me technically.

November 12, 2013: Guest blog at More Agreeably Engaged: A Mystery is Lurking at Longbourn and Suzan Lauder Wrote It!

Northanger Abbey
Today we’re traveling to Janet Taylor’s blog, More Agreeably Engaged, to find out how Northanger Abbey affected my love for JAFF, the evolution of my writing, and a bit more about Thomas Bennet.

Not satisfied with blogging, Janet is also the cover artist for ATB, so you might want to browse the rest of her site!

See you over there!