Twenty Layers of Unmentionables and no Panties!

I read bodice rippers! In the steamy scenes, the Regency hero is forced to wade through layers upon layers of underthings as he tries to seduce the heroine. The poor guy might find an overdress or an underdress as part of the gown. Once he had dispensed with that, he would first find petticoats and/or drawers/pantalets, then a corset or stays, and finally, a chemise and stockings under that enticing gown.

Okay, it’s not twenty layers, but I’m sure it seemed so to the impassioned, impatient fellow!

Chemises, petticoats, and drawers:

Chemise

Chemise

Chemise with owner s initials, A.F. c. 1820 to1830 at Vintage Textiles

Chemise, 1820 to 1830

We start closest to the body, with the chemise (shift). It’s like a light, straight full-slip, worn under the corset to prevent chafing. It often had short sleeves.

Petticoat, Metropolitan Museum of Arts

Petticoat, Metropolitan Museum of Arts

Regency petticoats are not heavy crinolines to pouf up the dress, rather, another slip, either a half- or full-slip. Worn over the stays or corset, the petticoat’s function is to make certain your soft, pretty skirt doesn’t bunch up around your legs. Some are heavily gathered and some are straighter, depending on the fabric and style of the dress they’re intended to shape.

Petticoats, Metropolitan Museum of Arts

Early 19th Century Petticoats, Metropolitan Museum of Arts

Some Regency petticoats had stays built in; you can buy a new bodiced petticoat custom-made to fit you for $90 from vendors at sites such as Etsy. If you are a sewer, Merle Brown of the Victoria BC chapter of JASNA recommends La Mode Bagatelle pattern  bodiced petticoats. She has made at least 6 of them.

1815 petticoat

1815 petticoat

1810 underdress or overdress

1810 underdress or overdress

Other petticoats were cut so they hung open-busted from narrow shoulder straps to the dress “waistline,” to ensure they did not show in the opening of the low-cut gown.

In the mid-Regency, when the gown length became shorter, the petticoat was intentionally longer than the gown, and had beautiful lace decoration on the bottom that was intended to be seen. If anything got dirty, as in Elizabeth Bennet’s case when she walked to Netherfield, it would be the petticoat, which easier to wash than the gown, and cheaper if ruined by a stain.

Pantalets, Metropolitan Museum of Arts

Pantalets, Metropolitan Museum of Arts

Drawers or pantalets are like a pair of legs of pants tied at the waist. They serve more or less the same function as the petticoat, and are in similar fabrics. Like the petticoats, their bottom lace trim was allowed to be seen at the bottom of the skirt.

The two legs weren’t joined at the top section until 30 years later, and briefs/panties/knickers as we know them didn’t exist until the 1930’s. (Even then, early panties were only used during menstruation!) For the pre- and post-Regency woman, this made sense, as the dresses had more layers of hoops and petticoats, and it made it easier to urinate if nothing had to be removed. I know, I know; you don’t want to imagine that!

The alternative: A full slip

For the purposes of your Regency costume, a floor-length full-slip should perform the function of all three. (You can add whatever underpants and shapewear you’re comfortable with.) If you’ve chosen a corset that hasn’t been lined for comfort, you may want to wear the slip underneath, otherwise, it can fit over top.

Slips used to be ubiquitous: in the 20th century, every lady had so many, she needed a “slip drawer” to hold them all. The slips inside would include regular-length and floor-length full-slips and half-slips (skirt only). Some would be bra-slips, and have side slits or back slits, and there may be mini-slips or ¾-length slips, as well. In all likelihood, each would be duplicated in black, white, and écru, a beige-y colour.

They were the 20th century version of petticoats: they helped skirts to sit flat across the legs, so no indication of a split was evident. But that taboo has gone, and floor length full slips haven’t been sold in regular stores for a good 10 years.

If you can’t find anything in your closet or your mom’s, or in thrift or vintage shops, a very light dress or nightgown, or the lining of an evening gown will work as well. This is where that dress that didn’t have enough fabric for a gown would be useful! It should have enough fullness to the skirt to support the gown and keep it from draping between your legs.

The colour must not show under your dress, so with a sheerer gown, it should be a similar colour, with no pattern. The exception is where you have a sheer overdress and want this as an underdress of a specific colour.

I purchased two cream-coloured nightgowns at small thrift shops for $9.99 and $7.99, and a fuschia slip-dress at a vintage store for $19.99, for use as an underdress.

Underwear and convertibles, tTSRCEThe slip neckline must be at least one inch larger than the gown neckline so it won’t show, so you may have to cut it back. Lace, trim, or any heavy edges on the undergarment that could be lumpy under any fitted area of the gown should be removed as well. Any new edges should be finished.*

You could consider a common Regency petticoat cut, as seen above in the 1810 underdress/overdress: Remove the entire front to the empire waist except for an inch or two at the sides (clear of the neckline) as shoulder straps.

If it’s just petticoats you need (your bodice is lined or of heavier fabric, and your corset alternative does not chafe), a floor-length half-slip or lightweight skirt can be tucked under the bosom instead of at the natural waist. It may be on the short side, but unless you need it to show at the bottom of a too-short gown, it should serve the purpose. If you have some sewing skills, a ¾ slip can be trimmed and modified to fit.

A special alternative for pantalets:

If you normally wear pants all the time, and this dress is quite the stretch for you already, a pair of lightweight cotton pajama pants or loose-legged capris can be worn as if they were pantalets, instead of the slip. Any colour or pattern must not show through.

I found a pair of capri-length cotton pajama pants (above) for $1 (everything was 50% off!) at a charity thrift store, and some very wide lace trim from a fabric store in Mazatlán (as part of my $5 trim purchase spree there) will make them more Regency. I’m leaving the crotch sewn together; I’m not that much of a stickler for exact period correctness!

You can use a camisole or sleeveless/short sleeved blouse with the half-slip or pantalets if you see the need, e.g. if the fabric of your gown’s bodice is lightweight and light-coloured, or if you need something under a corset. It must be cut back to suit the gown’s neckline, similar to the slip instructions above.

Stockings:

stockings and garters kyoto 1810 stockings england french acid green silk stockings early 19th c stockings early 19th c stockings met 1800-1829(Click on thumbnails for larger images.)

These went higher than the knee, and most were opaque, silk, and tied with ribbons or garters. There was no elastic of quality for this type of use for another 50 years or so. Many examples of Regency stockings in the museum photos have beautiful designs on them, and a wide range of colours are shown, similar to the shoes.

I plan to wear tights, and got three pair, as seen above. Since they were on sale for $1 at Joe Fresh, the colours of two pairs are pretty wild, and I may not find I have an outfit to wear them with, but they work for everyday in any case.

The third is white, bought on holidays for $1.99 brand new at the Goodwill in Portland, OR. Had I been successful in connecting with Meryton Press author Linda Beutler for dinner during the unplanned stop, I wouldn’t have had the time!

The tights could be trimmed to a more authentic length, but care would need to be taken to finish the edges well to avoid runs. In addition, I’m worried they’d keep falling down, and I don’t want to spend my entire time at any Jane Austen function trying to hike up my hose. I’m afraid I would look less than ladylike!

If I find time, I may try to transfer a simplified version of one of the designs onto the tights, and use fabric paint. If you like this idea, but don’t want to be crafty, Betsey Johnson has floral printed thigh-highs for $18 a pair!

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NEXT POST: Make your evening gown convertible!

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* For finishing edges or hemming where you have to adjust the product you buy or salvage at home, you can machine sew, hand sew, or use hemming tapes, which come in an iron-on type and a type that’s like double-sided tape. If the edge will be visible, a prettier edge will be achieved by attaching a very narrow lingerie ribbon to just cover the edge, in lieu of the hem.

Update for non-Upcycle (new) Products:

  • Victoria’s Secret has a Heritage Cotton Gown (nightgown) that works as petticoats for $38.
  • Sears sells Vanity Fair half slips and pants liners called “Snip-It” that can be used like the skirt of petticoats or pantalets, at $19.99.
  • Various companies sell Regency-looking silk or cotton stockings for $25 and $15 respectively. Google “historical silk stockings” or “clocked silk stockings.” Please take care when looking at other products at these companies, and don’t purchase Victorian-era products or expensive shoes sold as Regency that don’t resemble true museum examples.

How-to Times Two: Variations on Dressing up a Bonnet

Hat 2 underside and shape

Underside of hat to show brim shape and braided trim.

A bit of an impulse buy, as a few of my items were, the Pink Hat has a beautiful, perfect Regency shape and some nice trim. I was so pleased with those aspects, I overlooked the fact that it was overpriced for what it is and for the intention of this experiment, at $25 from a little second-hand store.

It’s so very, very PINK! I almost never wear pink!

I was uncertain whether to include it in this blog. I decided it represented a normal part of this type of project, and if my readership knew I could eat my mistakes, they may have less fear of showing up in an item that was slightly incorrect. The idea worked so well for me that I used the Pink Hat as a bit of a mascot!Hat 2 materials used

This post shares two quick and easy ideas for enhancing this hat and making it appear like a Regency bonnet. The materials for both are in the photos above.

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The Pink Hat Design #1: A three-ribbon design is seen often in Regency hats and hairstyles. (Click on the thumbnails for larger images.)

  • Loosen the existing hat band around the front and sides.Hat 2 loosen band and loop ribbon under
  • Fold a ½” to 1″ wide by 2m long ribbon in half and tuck under the band from below, with the loop heading to the back of the hat.
  • Arrange so the ribbon is at an angle with the tails at the middle of the hat band front to back, and the middle of the ribbon is just barely over the back of the crown of the hat.Hat 2 pin ribbon to band at halfway back both sides and loop over back edge of top where it sits best and smoothest
  • Use the band to help you fold each side of the ribbon up and back over the hat, one going straight across the middle, and the other at a slight angle across the front crown of the hat.Hat 2 fold ribbon up and over top of hat, one end over middle and one over front of hat
  • Each tail can go under the far side of the hat. Adjust so the hatband is down and the ribbons are roughly in the middle, though they won’t be neat at this point.Hat 2 remove pin holding in place and add one at the fold of the ribbon
  • Safety pin the ribbon at the “V” made when the ribbon is folding under the hat band (the first fold you made) on each side.
  • Remove the ribbon. Re-install, but this time, do not wrap over band, instead, use the pin to help you place the fold behind the band.
  • Adjust until the bands are equally spaced and smooth over the crown, the hat band is down and in place, and the “V” is hidden.Hat 2 Remove ribbon, then put back in place only under the band, using the pin as a guide as to fold location
  • Pin in place from behind.
  • The ties will come down the middle of the side of the hat to tie under your chin, and the bonnet will sit back of your ringlets.

 

Additional ideas:

  • If desired, you can flip the front of the bonnet up, using steam to shape it, but be careful of burns.

    July 1812

    July 1812

  • I’ve left the existing fabric flowers in back because I like them, and they hide a gap in the brim trim.
  • A strategically placed ostrich feather, curved forward, with some smaller items at its base, would work instead of the fabric flowers.
  • Additional trim is optional, but a ribbon flower, a few clusters of flowers, a medallion, or whatever pleases you can be placed on the joint of the three ribbons. Remember, simple trim means early Regency, and embellishments became more elaborate, especially in the teens. Match to your outfit’s time period.

This bonnet cost about $28, plus any additional trim.

Hat 2 pin in place from behind and trim as desired

Note that a similar hat, in natural straw, without the hatband or trim, is $5 at major craft stores. I’d recommend going that way. A ½” to 1½” wide hatband should be attached at the centre back to facilitate the instructions in this post. Ribbon, braid, beaded band, or similar material can be used.

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The Pink Hat Design #2: Inspired by hats in the Napoleonic Collection, with a sheer panel of fabric stretched over the hat and tied under the chin.Hat 2 design 2 fold scarf in half and slide under band from rear

  • Fold an oblong scarf (about 5 feet long) in a co-ordinating colour in half. A sheer or solid scarf can be used.
  • Slide down the front of the crown of the hat, under hatband, in a flat position.
  • Adjust so front (folded) edge of scarf is under hatband.Hat 2 design 2 roll edge of scarf and tuck under band
  • Roll up corners and tuck along sides under hatband. Adjust to your choice of fit: tight over crown of hat; with soft, regular folds; or puffed like a Capote hat.Hat 2 design 2 cross ends of scarf over back of hat
  • Pull tail ends of scarves so they cross to opposite sides and the back of the crown of the hat is covered.
  • Tug tail ends of scarf forward under hat band until they are midway between the front and back of hat.Hat 2 design 2 tuck scarf ends under band at about halfway point and adjust to hide extra fabric
  • Adjust folds and edges that are tucked under the band.
  • If necessary, pin, double-sided tape, or glue sections of the scarf under the edge.
  • The existing fabric flowers, with the frayed edges trimmed, are good embellishments for this hat. But each person has their own ideas, so add extra trim as suits your fancy!

Hat 2 design 2 completedThis bonnet cost about $32, plus any alternative or additional trim the owner selects.

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Why are these called bonnets and not hats? The only difference I could figure out between a bonnet and a hat was that a bonnet was tied on and a hat was not. These are called “cottage” bonnets.

Luise Kleider der Konigen 1810

1810

Cottage Bonnet ca 1810, Meg Andrews

1810

 

 

 

 

 

 

 

 

 

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I still have three—count ‘em—three more potential Regency hats/bonnets!hat basicsTwo hats in the original “group of seven” didn’t make the “Okay for Regency” grade indicated by an open parasol: their shapes and fabrics are intended to show contrast.

The brown synthetic fleece hat might be okay as a base, if wrapped with fabric almost like a turban; tulle or net might work.

The sad little baseball cap visor has no parasol, as it’s not worth the effort. Not even a tea cosy will revive it.

Close-up of painting, Portrait of a Woman--François Flameng

Close-up of painting, Portrait of a Woman–François Flameng

1814, Metropolitan Museum of Art

1814, Metropolitan Museum of Art

I want to make the larger-brimmed visor (far right, $4 from a Wal-Mart in Mazatlán, Mexico) into a Lady Catherine stove-pipe or leghorn bonnet, which involves a curved tube. After a lot of searches, I found a site that gave me an idea how to start it. There will still be lots of trial and error, so I’m leaving it to after the main blog series, in the “bonus” posts. (Click on the thumbnails to see larger images.)

Fez and rollupI’m not sure if I’ll create something with the roll-up hat from the San Diego zoo from 10 or more years ago (upper left), but I bought a little purple felt fez I could prop on top! It would assemble/disassemble well for travel! Hahaha! This hat is also suitable for a Capote-like covering or a tube, just like the other two topless hats. (Hmmm. That sounds nasty.)

The big reveal: the Lydia Bennet special! (Click on thumbnail for larger image.)

Lydia hat before

The “Lydia Bennet” hat, before.

“Look here, I have bought this bonnet. I do not think it is very pretty; but I thought I might as well buy it as not. I shall pull it to pieces as soon as I get home, and see if I can make it up any better.”

And when her sisters abused it as ugly, she added, with perfect unconcern, “Oh! but there were two or three much uglier in the shop; and when I have bought some prettier-coloured satin to trim it with fresh, I think it will be very tolerable.”

—Pride and Prejudice, Chapter 39

French, 1800-1805, Boston Museum of Fine Arts

French, 1800-1805, Boston Museum of Fine Arts

At first glance, this hat is quite pretty. But looks deceive: it has good bones, but requires some serious deconstruction of braided plastic ribbons, then replacement with satin and sheer ribbon in a similar design. You can see the look in these museum hats; that’s why I was drawn to this one.

1820, Augusta Auctions

1820, Augusta Auctions

American, 1810, Metropolitan Museum of Art

American, 1810, Metropolitan Museum of Art

 

 

 

 

 

 

 

 

 

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There are more complicated hats and bonnets you can make, but sewing and more complex craft skills are required.

http://themerrydressmaker.blogspot.ca/2011/08/regency-bonnet-tutorial.html
https://teainateacup.wordpress.com/2011/08/01/how-to-make-a-regency-poke-bonnet-in-ten-steps/?blogsub=confirmed#blog_subscription-3

This video demonstrates the second of the more complicated sites above:
http://oregonregency.blogspot.ca/2008/04/how-to-make-regency-poke-bonnet.html

I can’t quite understand tearing apart a straw hat into its spirals, or cutting off the back half and having to cover it, when it’s more work than is necessary. Regency bonnets came in so many shapes; it’s odd to take a shape that would work, only to change it to another, rather than seek out the second shape in the first place. But these sites have other good ideas.

Modern reproduction Poke bonnet

Modern reproduction Poke bonnet

Even more complicated is a stovepipe bonnet from the late Regency, made with a buckram frame: https://www.youtube.com/watch?v=98vKEHfjOAA

If I do a stovepipe bonnet, I’ll likely use more traditional techniques as in the Regency: cardboard and/or papier maché. It’s not so much that I’m afraid of buckram (maybe I am) or have no clue where to obtain it, but I know my skills with wire, and I’d wind up with a bumpy cam-shaped thing when I need an oval.

 

 

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More on my pillowcase cap: A web site with a series of cap patterns for sale included a comment that the more uppercrust caps had more than one style of lace on them, as did the lovely examples in an earlier post. I’d like to find some finer pieces of whitework or lace to fill in some holes, rather than use the plain cotton of the pillow case. Shopping never seems to be done!

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NEXT WEEK’S POST: There’s more to undies than corsets! **Cue tawdry bump-n-grind music!**

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The Thrifty Regency Hat-trick!

No rabbits are involved in this type of hat-trick! However, once in cricket, four times in NHL hockey, and twice in rubgy, three hat-tricks, or three sets of three goals scored by the same player, have taken place in a single game. Other games also use the concept of a hat-trick.

Our Thrift Shop Regency Costume Experiment is also doing three tricks with hats this week—well, two are technically bonnets, and you’ll have to wait for them until next post.

You say, “What? You said three hats this week, now it’s only one?”

I reply, “Yes, because the post was a million years long, and your eyes would have glazed over. Instead, I’m doing two posts this week, and the other hats will be in the next one!”

And you say, “Two posts? YAAAAAYYYY! You’re our favourite!”

Of course I am. And every fine lady holds a parasol in a Regency ballroom, too.

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1812 capote croppedEnglish, 1805-1808  manchester galleries cropped  capote with veil croppedCapote Hat1804 capote cropped

This is the most common type of hat at Regency costume events, probably because it’s fairly easy to make and is quite cute! It’s not nearly as common in Regency fashion plates or paintings, though; that’s where the poke bonnet shines. The capote is the one that looks like a tea cosy or shower cap over a brim that’s narrow in the back and moderate in the front, or goes about ¾ of the way around. The proper description is “a firm brim with a soft cap.”Woman's bonnet, 1807 Centraal Museum Utrecht croppedhat one potential materials of construction

I found the perfect shaped brim in a green and natural-coloured straw visor with a mid-weight cotton band and bow. You can see all the fabric and trim options for all my hats above, along with this hat. Some are too bold, others too plain, and some too matchy-matchy.

I’m not using the little green velvet hat, as I love it for everyday modern, and won’t modify it. I may dress it up as a turban, but I like the table-runner turban, which goes well with the gown I like best for the ball at the Louisville JASNA AGM this fall.

I chose one of the pair of 19″ square gold silk dinner napkins as the soft cover for my capote.

hat one materialsI removed the bow from the hat, but not the fabric, choosing instead to turn it up to help support the new fabric.

Here are the steps used to make the cover, with accompanying photos (click on thumbnails to see larger image):

  • Cut the napkin into a circle (procedure for an easy way to cut a circle is at the end of this post).hat 1 put tape at quarters one inch longhat 1 cut lining into circle too and remove ribbon from hat
  • Cut a matching circle of your lining material.
  • Measure distance around hatband level. Cut a length of 1″-1½” wide ribbon about an inch longer.
  • Place 1½”-2” strips of double sided tape about ½” above where the brim meets the crown of the hat (under where the hatband would sit) in four equal spaces; scrub/burnish with your fingernail to ensure they’re stuck.
  • Align the grain of the napkin fabric circle front to back and attach to the front and back pieces of tape; burnish with your fingernail. Repeat with the tape at 1/4 marks.hat one put top on tape align grain front to back fabric in quarters
  • Place another 4 pieces of tape half-way between the first four and press down the centre of the fabric between them. Scrub with your fingernail to make sure tape holds.
  • Continue putting tape half-way between previous positions and pressing down cover until tape is continuous or gaps are less than ½”.
  • hat 1 fold end of ribbon and tape underhat 1 put new tape between and continue until sixteen or moreFold in half and position fold at front centre, then wrap around to back. Fold one end under and tape underneath to ribbon below it.
  • Adjust folds in napkin fabric as needed to get the look you like.

hat 1 under brim lining ugly so add start center front pleating finger widthMy hat was lined under the brim, but it was unattractive. It added stiffness, so I decided to leave it and cover it. A pale gold 3” wide wire-edged ribbon was about the same width as the front of the brim, so I chose to use it, removing the wire edges first. It will be easier if your fabric is wider than the space you want to cover.

Here is how I attached a pleated lining to the underside of the brim:

  • Mask off the areas you don’t want to glue: masking tape works well for narrow spaces, and paper for others.
    • I covered the interior circle of the hat with a loose piece of paper, then made loose arcs of paper about 6 inches wide to tuck under the brim to protect the napkin cover.
    • I used 2″ strips of masking tape to cover the edge that matched the top.
  • Put newspaper on the floor of your work area at least 3 feet square.
  • Spray glue on the area you wish to cover.
  • Wait 5 minutes. The glue should be sticky enough to hold fabric in place, but not so sticky that it can’t be peeled back and adjusted: a bit stickier than “Post-it” notes.
  • Start at the centre front of the underside of the hat brim and fold pleats in opposing directions, with the outside of the pleat slightly wider than that at the crown part (centre). A nice size is finger-width. The stiff net material I worked with kept its fold nicely, so I would recommend a stiff but not heavy fabric.
  • Continue down each side, aligning the outside edge.
  • Cut a ribbon the same size as your hatband ribbon and fold in half. (You can also use bias binding tape, a cloth tape with lots of give.)

If you are not lining the hat:

  • Trim the brim lining to just inside of the hole for your head (inside of headband).
  • Run double-sided tape along the inside edge of the pleats, just barely on top of the pleats, and continuing past them inside.
  • Start at the centre front with the middle of the second ribbon or bias binding tape, and attach the outer edge of this ribbon along the edge of the tape just to hide the edge of the pleats.
  • Ease around curves, that is, slightly compress the short side of the length hat 1 add lining similar to top only can use longer lengths of tapeof the ribbon edge without folding, so the long side can match the curve.
  • At the end, fold the edge of one end of the ribbon under. Use double-sided tape to attach it over other end for a neat finish.

To line the hat:

  • Take the circle of lining fabric that was cut the same size as the napkin circle and place pins at each ¼ around the outside edge.
  • Using the second ribbon or bias tape as above, run double-sided tape along the length of the ribbon along one edge only. Mark ¼ lengths with pins.
  • Attach the circle of lining fabric to the ribbon about 1/3 of the way up, pinching pleats in along the way. Leave the ends free in case you need to adjust when attached to the hat.
  • Continue from the third point in the section above. Remove pins.

hat 1 cover joint between linings with ribbon and optional lace edgeTo add lace or ribbon to the outer edge of the brim:

  • I wasn’t crazy about the look of the unfinished edge of the pleats, so I decided to add lace.
  • This can be done from above or below.
  • Tape the brim edge with double-sided tape the entire width that you expect the lace to cover.
  • Start the middle of the lace at the center front, similar to how you’ve attached the ribbon in the previous section. Ease in the lace (push edges together slightly but don’t fold) so it does not “roll” over itself.

hat 1Final trim:

  • I used some small bouquets of fabric flowers purchased on sale at a fabric store, a bit of ribbon folded accordion-style, and a stick pin with a petit-point rose in it, made by Grandma Lauder!

 

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Total cost for this hat: Under $10!

  • hat 1 front viewThe visor was $1.99, and the napkin was in a set of two for $1.99, both from Value Village.
  • Value Village was also the source of the ribbon, in a “grab bag” of more than a dozen bits for $3.99, as well as a 2m piece of cream lining satin for $1.99.
  • The lace came from the spaghetti straps of a “Frankenstein” dress that was $14.98 and still has about 4m of other types of lace, plus some large panels of embroidery I plan to use on an evening gown.
  • The little flower sprigs were $.50/each times three.
  • I used a half package of double-sided tape for $2.99.

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Trimming your hat or bonnet:

Flowers, foliage, feathers, and such are common on the sides, and sometimes on the back or the front of Regency headwear. We can’t tell from photos whether both sides of the hat were trimmed the same, if they were asymmetrical but both trimmed, or if only one side had adornments.

poke bonnet metThese days, it’s really up to the wearer, as long as you make an effort to have a Regency look. Like gowns, the amount of fussiness and elaborate details increased as the Regency went on.

A little garnish does go a long way, so here are some ideas to whet your appetite.

http://historicalsewing.com/trimming-regency-bonnet-ideas-instructions
http://www.janeausten.co.uk/trim-your-regency-bonnet/
http://www.songsmyth.com/hatsandbonnets.html

hat 1 side view~~~

To cut a circle from a square:

hat one fold three

Fold into quarters.

 

 

 

 

 

 

 

hat one fold 3

Keeping centre point on top and open edges towards you, fold again, twice.

hat 1 fold 4

 

hat 2 cut top into circle

Cut off uneven ends at an angle so two long sides are about the same length from the centre point (top).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

hat one top made into circle

Unfold and look where it needs to be trimmed. Refold if it will make it easier to trim. It doesn’t have to be perfect for this situation. Press out the creases before you use it.

 

 

 

 

 

 

 

 

 

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NEXT POST: the Pink Hat goes all bonnet on tTSRCE!

Signature  file for tTSRCE

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Special Headwear for the Grown-up Lady

1806 capIf you asked a reader of Regency Romance what character would wear a cap, they would say a married woman or a spinster. But what makes a spinster, and why would they wear a cap? The reader would reply, an unmarried woman past her prime would wear a cap. But they might be vague on why.

To signify she was off the marriage market? To indicate her age? To allow her to avoid fussing over her appearance for yet another unproductive Season? So she could sit on the sidelines and not dance until the handsome rake/Lord noticed her? Ah, the appearance of a Regency Romance cliché!

The whole thing must have been confusing. Married women wore a cap, so it would follow that the odd time, the rake would have flirted with Lady Offlimits—until Lord Offlimits showed. There might be a better chance of it, since the spinster would have been passed by repeatedly, implying she was never as vivacious as Lady Offlimits. Unless, of course, she was crossed in love. Another Regency Romance cliché.

For the 21st century woman, the choice of a cap is personal. I figure it’s a lot like the turban: a way to hide your non-Regency hair indoors when your hat or bonnet must come off. If you’re married, or single and proud of it, you certainly have the option, and would have in the Regency. We’ll just assume that you have to be a grown-up to wear a cap: old enough to be married.

doily cap materialsdoily cap tie off start

 

 

 

 

doily cap threading one

 

One of great-Grandma Lauder’s tatted doilies, 21 inches in diameter, was easy to make into a cap. I tied a matching ribbon to a point about 2½” from the edge and pinned a safety pin to the other end. The safety pin helped me to weave the ribbon in and out around the doily at 2½” from the edge until about 2½” from the start point, gathering in the fullness. I tightened the ribbon so the “cap” fit my head loosely, then tied the other end off, too. Then I tied a bow to tighten the cap with once in place.

It’s a bit big for my head, and droops, but I have a small head. I still think it looks rather pretty.doily cap gatherdoily cap

Bonnet  cap 1806

1806 cap/bonnet

The trouble is, I doubt many caps looked like this, so at best, it’s graded as a “closed parasol”: okay in a pinch, but not correct. The one shown from 1806 has some similarities in appearance from the front, but it’s not the same construction. You see, I had mistaken the idea of a lace cap as a cap made of heavier lace like tatting, and had not paid a great deal of attention to real examples.

In actual fact, Regency caps were made from  fine cotton, muslin, or linen, often with whitework embroidery, including eyelets, drawn thread techniques, and areas cut away so lace-like darning can fill the area.

1806

Back view showing embroidery on 1806 cap/bonnet.

side view, 1806 bonnet

Side view, 1806 cap/bonnet

 

 

 

 

 

 

 

 

Museum of Fine Arts, Boston lace cap, 1815

Lace cap, 1815, Boston Museum of Fine Arts

First half 19th century, Europe - Cap - Cotton mull with cotton embroidery, linen bobbin lace insertion, and silk ribbonmfa.org.

 

 

 

 

 

 

 

Sources of whitework might be found on a pillow sham as seen below, as well as handkerchiefs, scarves, or tablecloths. The shams, found at a small thrift shop for $1.99 for the pair, have some large drawn thread panels that can be used to make a cap, but it will be complicated.pillow sham for creating cap

The first step will be to figure out how best to select the panels of embroidery, then where to cut them for the right shapes to piece together for a cap. The panels should be sewn together because of the complex shapes and need for fine, flat seams. Ruffles on the front edge of the hat and ties at the throat seem to be optional, which saves me some fussing.

I’ve been watching for a pattern that may better suit my situation before I start this project. The one shown may not be perfect, but it may be all I have.

The Female's Friend and General Domestic Adviser Robert Huish~

With all the mention of what your hair will look like if you remove your headwear, and all the alternatives, we have yet to spend any time on hats and bonnets! Is that a bit like Chicken Little, worried about something unknown that may never come to pass?Hat from Karl August Hagberg painting1810 from Ackermann, three types of headwear

 

 

 

 

napoleon exhibitIt could be that your event is an out-of-doors afternoon Promenade. A Regency lady would wear some kind of head covering outdoors to give her an air of modesty. To shield her delicate skin from the sun, she may also carry a parasol, but it will not be a substitute for headwear, as in the drawing of the set of three ladies above.

Unless you plan to spend an appreciable amount of time indoors during the event, you might never need to remove that hat while in your Regency persona. Alternately, if you plan to attend a Regency ball in the evening, and take on your persona indoors, you need not don a hat or bonnet in the first place. My event, the Louisville, KY Jane Austen Society of North America Annual General Meeting in October 2015, will call for both.

1805 to 18101810 bonnet mfaHere are some of the wide variety of designs for Regency hats and bonnets from around 1810, as well as the original seven modern hats I collected to demonstrate what you can find in your closet, showing which ones will work and which are devoid of the famous grading parasol!

cap 1810 metChapeau a la Pamela. France, circa 1810.first 7 hatsNEXT POST, I’ll give some ideas on how these hats can be made into Regency hats or bonnets, and show step-by-step how I made a Capote hat with one of them. I may have time to make a second hat or the whitework cap before then, too.

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Here is a cute article by Anna Snyder on the clichés mentioned above: How To Tell If You Are In a Regency Romance Novel

Regency Bad Hair Day? Wrap a Turban!

Mihrimah Sultan, daughter of Suleyman the Magnificent and Roxelana of Ukraine

Mihrimah Sultan, daughter of Suleyman the Magnificent and Roxelana of Ukraine

When Regency fashionista Lord Byron was invited to visit Topkapi Palace in 1810, the Ottoman Turks refused to recognize his peerage and, as a non-diplomat, he was ranked behind everyone else. In hopes of changing their minds, the well-known dandy arrived in the most impressive “scarlet regimentals topped by a profusely feathered cocked hat,” but the Ottoman Turks were not swayed: he would take his place at the end of the line, behind all the staff of the embassy.

Woman in Turkish Clothing--Jean Etienne Liotard

Woman in Turkish Clothing–Jean Etienne Liotard

According to Stratford Canning, the embassy secretary and a good friend, Byron shot them a “look of scornful indignation which so well became his fine imperious features” and stormed away to sulk in his chambers over the ordeal.(1)

Marie Therese Princess von Esterhazy (Almack's Patroness)--Alois Maria Martignon

Marie Therese Princess von Esterhazy (Almack’s Patroness)–Alois Maria Martignon

I visited Topkapi 15 years ago, and Byron should have counted his blessings for the chance see the inner sanctum, which at that time was rarely seen by outsiders. Obviously, he wasn’t the fashion scout who brought back the turbans shown in numerous fashion plates and paintings in the late 18th and 19th century, including the Regency. Marie-Louise-Élisabeth Vigée-Lebrun was partial to them; they’re featured in many of her paintings.

(Click on thumbnails for larger images.)

 

Self-Portrait (1800)--Marie-Louise Élisabeth Vigée-Lebrun

Self-Portrait (1800)–Marie-Louise Élisabeth Vigée-Lebrun

Mlle du Pront (1812) --Marie-Louise Élisabeth Vigée-Lebrun

Mlle du Pront (1812) –Marie-Louise Élisabeth Vigée-Lebrun

 

 

 

 

 

 

 

In the twenty-first century, the turban is a great alternative to a fancy Regency hairstyle for those of us with short hair or unable to style our own complex up-do. You’ll need an attractive silk panel long enough to wrap around your head twice and wide enough to cover your hair while doing so (such as an oblong scarf), lots of bobby pins and safety pins, and decorative trim.scarves table runner and pareo potential turban plus hair piece

I had a choice of a number of scarves, table runners, and a pareo, as shown. Some fabrics and prints didn’t look Regency, so I didn’t use them. Dresser scarves; a length of smooth silk or similar fabric 10-20” wide and 4-5 feet long, with neatly finished ends; a small, light silk shawl or wrap; or similar fabric finds will work. It’s nice to have fringed, tasseled, or otherwise decorated ends to dangle, but not necessary.

turban 2 raw materials incl pins, hairband, bobby pinsFor my first turban, I chose two oblong scarves in complimentary fabrics, one with a lace pattern on the end, and the other with fringe. They were purchased at Value Village for $5.99 and $3.99.turban 2 first panel on head

After trying to create the look a couple of times, I realized a hairband was a helpful cheat—the kind that has elastic threads woven through so it’s a bit “sticky” both sides—when set just behind the front curls of my hair to hold the slippery fabric from sliding off my head. Here are the steps I used for this turban (for larger images, click on thumbnails):turban 2 drape of 2 scarves

  • Anchor the lace end of the lighter-coloured scarf to the hair band using bobby pins; cover the crown of the head.
  • Arrange the second scarf so it drapes behind the front curls on one side; tuck bobby pins under it to anchor it to the temple.
  • Drape this scarf across top of head, attach with bobby pins hidden underneath.
  • Use a safety pin or two to join both scarves at that point.turban 2 twisting the scarves
  • Loosely twist scarves and wrap around the head.
  • Use bobby pins hidden under the edge to anchor the first turn and hidden safety pins to anchor the second turn.
  • Near the end of the wrapping, twist the second scarf back so the second fringed end drapes alongside the first and tuck the other end of the lace scarf around the turban so it looks nice.turban 2 final wrap right side
  • Secure with safety pins hidden within the folds.

Attach your choice of decorative trim: I used some curled ribbon, an elephant from a card holder, and some floral stamens, tied together with fine wire, with a safety pin attached behind to pin the arrangement to the turban.turban 2 left rearturban 2 right rear

turban 2 decorationUpon scrutiny, when I sorted my photos for this blog, I realized this turban is a bit small and under-decorated. I suck at the latter, and you’ll see that when we get to hats, too. But I try, and no excellence is acquired without constant practice! **Squints eyes in suspicion that Martha Stewart may be channeling Lady Catherine de Bourgh!**turban 2 frontAn interesting piece of cording or ribbon can be attached to the scarves when you first join the two, then twisted along with them; ideally it will make a full circle with them. A third scarf, or sturdier/heavier fabric, would make a more noticeable head dress, and lighter coloured, bigger trim would help.

Aside: A couple of weeks ago, I was in Mexico and scored a couple meters of ribbon, parasol fringe, wide lace, braid for my spencer, and an ostrich feather, for $5 total, but misplaced the ostrich feather, or I would have used it to dress this up. I’ll find it and use it later!

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Turban 1 materialsThe materials for my other turban can be seen: I scored a Pier One lined silk table runner with cool thread-wrapped ball tassels for $7.99 at Value Village. Someone had tossed it because of a small amount of candle wax, which I removed by placing an absorbent cloth over the wax, then using a hot iron to melt the wax.

I’ve shown extra trim ideas: “jewels” from a pair of broken thongs ($1 at Value Village), an old barrette of mine with a topaz-coloured leaf design, dried and gold painted seeds, and a $5 hat pin from Salvation Army.

Be imaginative when looking for trim. You can attach a safety pin to your decoration with sturdy tape like duct tape.

The heavier fabric was difficult to work with, and I struggled with it for a long time, even though I used a simple wrap method in the video link below. Had I used a lot more pins and the hair band, I think it would have taken less effort. The end product looks nice, though.turban 1 croppedturban 1 right rear croppedturban 1 left rear croppedI used a bobby pin to secure a fan of guinea fowl feathers (never tasted it—apparently it’s quite good!), and a Swarovski crystal stick pin I got as a freebie years ago in Innsbruck when I bought a crystal kitty. I used double-sided tape to add a sand dollar medallion that I think came with a bookmark that fell apart, but I can’t be sure—there were short pieces of ribbon still attached. I’d tossed it in with buttons and beads. I do keep some stuff!

Lady Charlotte Susan Maria Bury (née Campbell) (1812)--Archibald Skirving

Lady Charlotte Susan Maria Bury (née Campbell) (1812)–Archibald Skirving

These three links show alternative ways to wrap a turban, and some nice trim ideas:

Lynn McMasters shows three ways to make a turban. There used to be a video for this but I can no longer find it.

American Duchess has a video of a simple technique for wrapping a turban. I used a similar technique for the table runner turban. You don’t have to do the end twisting steps if you like your turban simple—just pin them to hold.

1810s Eléonore de Montmorency

1810s Eléonore de Montmorency

Jen Thompson makes her turban like a cap, so you make it and then put it on, rather than twisting it on your head. Sewing is involved in this one.

Portret van Catharina Valentina van der Kun (1811-1813)--Gijsbertus Johannus van den Berg

Portret van Catharina Valentina van der Kun (1811-1813)–Gijsbertus Johannus van den Berg

I have a brimless soft velvet hat that I used on a visor for the hat mock-up shown in a previous post with my morning gown; it looks a lot like the first part of Jen’s tutorial. A fringed silk scarf wound around it, and perhaps my wayward ostrich feather, and it would be just the thing!

 

 

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A follow-up to my last post: The rat on the door knob in the photo of scarves on the door is a clamp-on hairpiece I purchased for $9.99 at Value Village, then shampooed and conditioned. It’s got a nice wave and it’s a good match to my hair—and my hairdresser could make it perfect for an event. At my age, “redhead” is either memories of my youth or an hour at her salon!

I had a little time yesterday, so I tied it into a ponytail (which looks like a bun over the hair clamp) and then pinned the waves into curls, letting them curve the way they wanted to, and sprayed everything liberally. Then I put most of my own bobbed hair into a ponytail, and clamped the thing over it. The bun looked odd, so I tied a ribbon around the base of it. This weekend I had my 30th wedding anniversary, so I thought I’d show you the roses along with my ‘do.hair in fall with roses

hair in fall back viewHad I more time, I’d have fussed with the loose ends of hair at my nape to make pin curls. One could tie a twisted pair of scarves around the hairline and in behind the curls—essentially, the turban I made already, but without covering the back of the head.

This hair-do is huge compared to my intention. If I decide to wear it for real, I’ll have to figure out how to do it so the curls wrap around the base rather than look like a pouf on top of a bun. cream-puffsThat’s a look reserved for pâte à choux and crème fouettée. Yeah, that emoticon! Hey—it looks a bit like… like… a turban!

 

 

 

 

 

 

Regency print detail c. 1803 Here's an example of a turban a woman of fashion might have worn.turban and sleeve 3turban and sleeve 2turban and sleeve 1

 

 

 

Here are some more turbans, and some sleeve ideas for that dress!

 

 

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NEXT POST: For the married woman or spinster, another sneaky way to hide your hair is to wear a CAP! When you go outdoors, you plop your hat or bonnet over it. It’s not a dressy enough look for a ball, where the turban is a better choice, but for day-wear, it rocks! PLUS a sneak peak at HATS! Be there or be square.

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1. Richmond, Steven (2014): The Voice of England in the East: Stratford Canning and Diplomacy with the Ottoman Empire. London: 2014 I.B. Tauris and Co. Ltd.

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NEWS FLASH!! Edited May 4 9:27pm PDT to add Livia (Guiggioli) Firth’s Plastic Bottle gown!

The Thrift Shop Regency Costume Experiment started as a project to obtain a more affordable, nicer style of gown without designing it and sewing it myself (although the design part is coming into it in a big way, and my stitch ripper is getting a workout!). I’ve always been a sustainability advocate, so it was natural to re-use beautiful “found” materials. As I delved farther into this project and started to get feedback, it became evident that the repurposing/upcycling aspect was huge to others. I started to pay attention to it, rather than just assume it was an ordinary thing to do.

I’d love to snag Livia’s Antonio Berardi gown after the Met Gala, to remake. (We love the Met historical costumes on this blog!). She’s so tiny, even with the beautiful trailing wrap, I doubt there’s enough fabric there for my back gathers! A sketch of the back detail of her gown is shown with this article and in this photo. She sure looks like she’s having fun!

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May 26, 2016 update on tying the turban:

At the Louisville JASNA AGM, a vendor showed Author Linda Beutler and I an easier way of tying a turban than the method above or in some videos. Women often start from the back, like we tie bath towels on wet hair. The vendor said a Canadian showed her that if you first position the middle of the turban scarf across the front of your hair, just behind the curls, it’s easier.

You cross the ends at the nape of your neck and loop them back over themselves. Pull the ends forward and twist the fabric as desired. Bring the ends up over the first bit, cross them and loop back over themselves again. Tuck or safety pin ends to hold in place, or tie in an attractive knot. It’s nice to leave one or the other end dangling, especially if it has fringe or an attractive design, such as that of a Kashmir scarf. Fold and tuck in the parts you don’t want loose and pin where needed, hiding the pin in the fabric folds. Secure to hair with bobby pins as needed, though I didn’t need near as many with this process.

My turban looked good on the first attempt, whereas the other way, I had many lumpy failures. For the Grand Ball at JASNA, I started with the fabric (the same silk table scarf as above) slightly off-centre (one end longer than the other) so the final tie of the fabric was off to one side of my head. There’s lots of inspiration for how to tie them in Madame Vigée Le Brun’s paintings.

The finer scarves in the first attempt at a turban (above) are nice for those wearing their hair in “The Titus” or hiding the pinned-on portion of a hairpiece.