Foodie on a Mini-Vacation

When you live for half the year in a place where most from the rest of the world comes for a vacation, it’s fun to go elsewhere for a mini-vacation within that time. This year, we went to Oaxaca (pronounced wah-HA-ka), the food and arts and crafts capital of Mexico. We chose to fly, since it would be about 20 hours by ground transportation. That meant we were in our hotel on the Zocalo (town square) within the UNESCO World Heritage Site within a few hours via Mexico City airport.

Loud, fun music was playing on a stage outside our room, so we quickly got changed to a quieter room on the other side of the hotel, which was a hacienda-style historic building. The location on the Zocalo in the middle of Centro couldn’t be beat.

We found the mercado and freshly roasted Oaxacan coffee quickly, and also a new treat to us: chocolate covered churros (long donuts)! They were still crunchy inside. We spent most of our trip wandering the 300-year-old streets of the heritage part of town, where the buildings are made of volcanic rock, so some have a greenish tinge to the stone. Glorious huge churches stood every few blocks, or so it seemed. We stepped inside each when they were open. (You can click on the thumbnails for larger images.)

We were treated to fantastic food every step of the way. I happened to choose about half vegetarian meals—not that I’m vegetarian, just that the selection was good. It helped me to gain no weight on the trip. I wore my Jennyvi (Jane Austen Couture) dress out to dinner since it packed well and was the right weight for the weather, which is quite warm in the day and quite cool at night.

Some of the specialties of Oaxaca include the sauce called mole that’s served over meat or vegetables (with at least two dozen ingredients, the best mole has chocolate in it!), a sort of hard tortilla pizza called tlayudas, tamales (filled corn dough inside a banana leaf), memelas (a simple fresh open-faced thick corn tortilla with beans and cheese), and toasted, seasoned grasshoppers called chapulines. The latter was the only thing we didn’t try. They’re supposed to be quite tasty, but I had to give them a miss. Also, Oaxacan chocolate is quite different: grainy and dark.

Eggplant appetizer

Tlayuda

Ancho stuffed with huitlacoche

Custard cone

Two of the days we visited Oaxaca were for side trips out of town. One day, we went to small towns south of the city and looked at an historical village and another town known for its black pottery. We took the bus. There are also towns with weaving (we already have two Oaxacan rugs), Alibrije art (little animals that are supposed to come out of dreams), Amate art (made from tree bark), embroidery art, and other kinds of pottery. Often, when you’re in big Mexican tourist towns, the best art you see isn’t from that city, it’s from Oaxaca state, a testament to the hundreds of indigenous tribes and their traditional crafts.

For the second day-trip, we hired a driver to head east and take us to see the “frozen waterfall” and a thousand-year-old tree. We chose not to go to the pyramids since we’d seen Teotihuacán and Chichen Itza, and they’re now not much more than tourist traps, and besides, ruins are not our thing. We saw many of Monte Alban’s artifacts at the Cultural Museum.

Our trip back home from Oaxaca was an adventure in itself. Three airplane delays in Oaxaca plus two delays and finally a cancellation in Mexico City meant we could have gotten home faster with the bus. We literally spent 14 hours in airports that day. Even though we were masked and used sanitizer, we both got Covid. We weren’t too sick, but it’s not something I’d wish on anyone.

We brought back lots of coffee and chocolate, plus a nice black pottery vase and lots of cool memories. I suggest you all put Oaxaca on your bucket list.

Coming up: I have a new release planned. I mentioned on this blog that I’d been working on the Cecilia’s Mismatches series, and the first book is due out the end of March 2023. An Accomplished Woman is a shorter novel, set in Bath, with a bit of a nod to Northanger Abbey. But it’s not an Austenesque book. The characters are all new. Janet B. Taylor, Meryton Press’s cover designer, has gone all swoony over Everett Tremaine. I hope you will, too. Spread the word! And watch for the cover reveal coming up soon!

Busy People

If there’s one thing that’s a constant in this world, it’s that you can expect that busy people are eventually productive people.

So what can I hold as evidence? I managed a lot of completions since my last blog post, including:

  • A three week trip to England during which I sought out many Jane Austen locations (lifetime and film) among other tourist destinations, plus met JAFFers Mίra Magdó and Lizzie Sargent, and saw Pride and Prejudice with author Leslie L. Diamond at the only operating Regency theatre left in England (the Royal Theatre in Bury St. Edmunds)—that should have been a blog post in itself;
  • Writing a JAFF novella (working title The Fitzwilliam Intervention);
  • New writing on Book One: An Accomplished Woman of my non-JAFF Regency trilogy (the Lady Hoxley, Matchmaker Trilogy);
  • Collaborating with narrator Neil MacFarlane on the recently released audiobook for my novel The Mist of Her Memory.

During the start of the current pandemic, I was still in my home in Mexico, which at the time seemed to be the safer place to be. In the midst of the expat travel panic in late March, I contracted viral pneumonia, which was also a COVID-19 scare. This meant I was in isolation in a nice private hospital in Mexico at the cost of an excellent insurance company then rushed home on a private jet since the commercial companies wouldn’t take someone with my cough. For the record, I was tested as COVID-19 negative, as well as negative for Influenza A and B and Dengue.

I’m now recovering, though my lung capacity won’t let me exercise like I used to, but that will be overcome in time. Being a COVID-19 vulnerable person, I must be more careful than most, so I remain isolated in my home, with only walks in a mask to get out of the condo. I don’t mind, as it’s a lovely loft apartment with huge windows and views to make you jealous, and includes two cats who like to cuddle up to me while I’m on the laptop on the sofa. I can read and write and edit like before, and I’m enjoying it as well. I’m busy enough that I have to say “no” to special projects, and all that’s on top of a happy and balanced real life!

I’ll let the pictures show the excitement from my trip! Click on the thumbnails for a larger picture.

Hubby goes on a bike tour and I sew a new Regency gown

Anyone who has read the dedication to The Mist of Her Memory will figure out that when my house is quiet, I get a lot of writing done. The event that often causes the house to be quiet is the absence of Mr. Suze. He’s a busy, chatty, music-listening kinda guy who loves his bicycle. While we’re in Mexico in the winter, he disappears for long rides on his mountain bike for a couple of half-days a week. When we’re in Victoria in the summer, he road bikes along an extensive network of paved trails for a similar amount of time. Usually, this is when I write. I turn off the radio, occasionally play some tunes that have been selected specifically to stir my writing for the style of story I’m working on, but I’m focused. There’s no one poking his head in my space to enquire whether I’d like to go for coffee with Brad and Janet this afternoon; or asking did I know where he left his phone; or building or repairing something; or to deciding to vacuum. Yes, he’s a great husband. Great husbands can be noisy.

Last month, he took a week and a half for an epic trip to explore the Okanogan and Columbia River systems in eastern Washington as well as visit friends in Smalltown, WA. He camped along the way and rode on his own for 84 km (52 miles) a day on average. He had hoped to travel home from the friend’s home in one day using truck, train, bus, car ferry, and bike. Well, the bus was a no-show, so he missed the car ferry and had to take the more expensive passenger-only ferry from Seattle. The picture shows the load he had on his bike for this camping and cycling trip—a total of 38kg (85lb). He rode 600km (370 miles) and had about 6000m (20,000 ft.) of climbs, in weather that was mostly mid 30’s in oC (90’s in oF), but there was wet snow in the mountains. The scenery was magnificent.

In the meantime, I did a little writing on my Regency romance trilogy, edited my existing writing, started taking an online course on Music in the Regency through the RWA Beau Monde, and finished sewing a Regency gown made from some thrift store sari fabric seconds I’d had on hand for a couple of years.

I’d cut the dress out last fall, intending to sew it in Mexico last winter once I procured a sewing machine. Mr. Suze and I practised my virtually non-existent Spanish to struggle through the interesting procedures around buying my machine from a rent-to-own store. Did you know a customer must stand in two different lines, one to pay and one to collect their merchandise, once they’ve decided to buy? The sewing machine is a newer version of the ancient one I have back in Canada, bought when I was just 19 years old, so I didn’t mind that the manual is in Spanish. But once I’d progressed so far on sewing my gown, I needed Millie, my dressmaker’s model, to ensure that it fit since it was impossible to do so on myself. So a partially sewn gown came home with me and sat around until Mr. Suze made this trip.

Isn’t it lovely? Note the Regency shape of the back bodice and sleeve—I made my own pattern. I also love the train.

However, I’m not sure where I’ll wear this gown. Perhaps to the next local JASNA meeting, even if the meeting is in the afternoon and this fabric and the style makes this dress clearly an evening gown. I can’t perform Jane Austen dancing—I have a bad shoulder—so events such as the Port Alberni Jane Austen Ball (a three hour drive away) or other Regency country dances are not going to entice me to spin it around a few times. But it’s a pretty dress, and my friends are sure to compliment it, poor seamstress skills aside.

I also started another gown. This one’s a morning dress, made from some lovely lightweight floral bedsheet fabric that looks just like fabric from Jane Austen’s time, though it’s probably a touch heavier than muslin. It’s also about half-made, and when I finish it, I’ll show it here. Mr. Suze is talking about another, shorter trip; however, writing calls me too. Decisions, decisions.

“Dancing with Jane Austen” by Suzan Lauder

When a course comes up at your local university promising to teach about dancing in Jane Austen’s novels as well as practice a bit of actual Regency period dancing, what does a Janeite do but jump at the chance? And that’s exactly how I spent my Saturday mornings for four weeks this autumn!

“Dancing with Jane Austen” was offered by the Continuing Education Division of the University of Victoria, fondly known locally as UVic. The teachers were JASNA life member Charlotte Hale and JASNA member and local dance teacher and caller Rosemary Lach, who called the balls at the Port Alberni Jane Austen Festivals I attended in the past. The dozen participants were all Jane Austen lovers and very motivated to learn more.

Someone forgot his gloves!

To start the program, Charlotte Hale provided an entertaining presentation on one or more of the novels each class, as well as touching on topics such as history, etiquette, apparel, conversation, and conventions of the Regency, and especially, the dance scenes in Austen’s six novels. For example, we learned to bow and curtsey, learned that a deep bow was only for Mr. Collins and his ilk. We discovered that one of the pet peeves of the presenters was the lack of gloves on the actors in the TV and movie adaptations of Jane Austen’s novels. It was improper for either of “the sexes” to be without gloves at a ball. As a Regency no-no on an adaptation ball, in my opinion the lack of gloves is now second only to a confused costuming nightmare in a more recent movie.

One of the highlights of the presentations was the synopsis of the book. Charlotte cleverly wrote her own summary that shortened each novel to a few minutes, then created a story using stick people with hairdos to differentiate them. Each character got a one-word characterization plopped on the top of their head on the screen, and occasional captions enhanced the entertainment. An example from Persuasion can be seen below. Participants all agreed that this was a favourite part of the presentation, which also included numerous period art pieces and photos of the actors from the various adaptations to help spell out the dance scenes and their influence on plot and characterization, as well as some video clips of the dance scenes and the men (and sometimes women) with no gloves. Can you tell I like that part of the etiquette?After Charlotte completed our PowerPoint presentation, dance instructor Rosemary Lach led the experiential part of the class. This was where, sadly, I did not shine. I’m quite uncoordinated as well as easily distracted, in addition to having a problematic shoulder. During one class I was suffering from a balance problem that day so I had to sit out the Cotillion (Allemande) with the ladies who had physical issues that prevented them from dancing. But it was fun to watch and make notes to use in future story writing!Because Rosemary called out the moves for our Regency era English country dances, it was fairly easy for most participants to learn them. We learned to smile at our partner instead of watching the floor since, in the Regency, a ball was an opportunity to check out possible marriage matches. There was skipping, slipping, three-steps, circles, squares, lines, and chains. We learned that a waltz in the Regency was a country dance to a ¾ beat, and we practised the “Duke of Kent” waltz.

Back row left: Charlotte Hale. Front row, second from left: Rosemary Lach. Front row, right: Suzan Lauder.

During the last class, we were encouraged to dress in Regency costume, and oh, how pretty and handsome my classmates and I were. I chose my lilac ball gown with my best “Grown-Up Lady” lace cap (some chose morning gowns since the session was from 10am to 1pm) and many rented their outfits from a local theatre. I brought spare gloves for others who may have forgotten, and one of my wallflower friends borrowed a pair to go with her fabulous vintage shawl. Once we finished the presentation portion of the class, we were treated to Rosemary and Charlotte showing us the fancy footwork and forms for the minuet prior to our guests arriving for the ball and tea, and a group of eight practised the Cotillion to show our guests.

At noon, we were joined by some costumed family members of the class as well as some people who seemed to know the dances already, so the dance line was quite long. We were also treated to live musicians for the dances! I sat out all but the first (La Boulanger, in which my partner was a lady handsomely dressed as a gentleman!) because of all my afflictions and so I could take the photos you see in this blog post. I’m a cross between Mr. Collins (when I dance) and Mrs. Bates (when I sit out). The tea and treats afterwards were my kind of party.

I do hope the presenters offer this again to a new group of Janeites. All the participants had a fine time and enhanced their own knowledge admirably.

~~~

In other news: Those readers who enjoyed The Mist of Her Memory as it posted at JAFF super-website A Happy Assembly will be excited to learn that it will be published in early 2019 by Meryton Press! For those less familiar, it’s a Romantic Suspense novel with a strong mystery element, based on Jane Austen’s Pride and Prejudice. The novel will be suitable for all who have read Pride and Prejudice.

Review: Persuasion by the Chicago Chamber Opera Tour Company

I was fortunate to attend a performance of the musical adaptation of “Jane Austen’s Persuasion: A Musical Drama” by Barbara Landis on July 6, 2018 as part of the Port Alberni Jane Austen Festival. It was a brilliant performance highlighted by 49 musical pieces from music of Jane Austen’s time to Irish folk tunes to classic opera, much of which is enhanced by lyrics and arrangements by Landis, who also took the lead roles in the play. Landis is certainly a flexible force behind this production, taking on the role of playwright in this variation of Jane Austen’s shortest novel as a tribute to the 200th anniversary of its publication. In discussion with some of the cast later on, I found out that she also takes a lead financial role and is a sort of mother to the very large cast and team involved in the performance, which has toured the world since 2013. To top off her ties to this situation is the fact that she’s a distant relative of Jane Austen. I’m sure that was as much of an impetus to do this show as any other reason.

Persuasion is clearly a strong romance, with the obligatory angst keeping the protagonists apart until the key moment when they both understand that the other’s love has withstood all the trials it has been forced to bear. Finally, the couple comes together, eliciting tears from the romantics in the audience.

A notable performance of the evening came from the perfectly austere, then flirtatious, then romantic–with perfect timing on those characteristics–Jeff Diebold as Captain Wentworth, who was wonderfully tall and handsome in his captain’s uniform. Comedic turns by several of the cast members were additional highlights, most notably by John B. Boss as a flamboyant Sir Walter Elliott, and Gretchen Mink Hansen, who could have walked off a Rowlandson cartoon, thanks to the costuming and her body language! I was especially impressed by the acting and singing of the dual roles of Anne Elliott and Jane Austen by Barbara Landis. Though Landis is significantly older than Anne is in Austen’s canon, the gifted and well-experienced soprano pulls off the multi-faceted role and character changes well. Her “bloom” comes back when she is in love, and she is the glue that holds the production together.

Nearly all the cast members were strong in voice and excellent actors. The odd time there was a mismatch with a stronger and weaker voice, however, at other times the duet was magical. With so many tunes to choose from, it’s impossible to pick out highlights. Landis did a marvelous job of timing and matching the music to create a seamless production with so many actors and songs.

Many in the audience were particularly enthralled by the two professional Irish dancers, but for me, the cameos that were most enjoyable were the choral music and classical opera, but that’s purely because I love those types of music. This brings up an interesting point about the production: it’s got something for everyone, yet no one style was so overdone that those who weren’t big fans could be tired of it.

Costuming was a delight to the eyes despite some Victorian-looking hair styles, black neck ties instead of white Regency cravats, and a dearth of top hats. The lovely gowns and handsome tail coats were evident again the following day when the cast joined the festival-goers to try to break the Guinness World Record for people in Regency costume in one location–and came up only 60 short. I loved some of the details of the ladies’ gowns and how the dresses changed for each scene and the level of circumstance of each character. Similar details were given to the men, from the naval uniforms to the elaborate lace cuffs of Sir Walter.

Chamber Opera Tours can be proud of this long-standing production, which heads off to the Jane Austen Festival in Bath in the autumn. Barbara Landis’s adaptation of Persuasion was perfect Austen, wonderful Regency, and a melange of music proven to please all preferences. Brava!

Disclaimer: I’m no theatre critic, I’m just a person who loves opera, Regency costuming, and Jane Austen who happened to enjoy this show a great deal, as Austen would say.

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For those of you who have followed the Thrift Shop Regency Costume Experiment, I made a gown from a Value Village bed sheet at $7.99 and a ton of chenille and lace from Parasina in Mexico at about $5 and tried to match it to a Regency fashion plate for the Port Alberni Jane Austen Festival this year. What do you think? I wore Joe Fresh earrings at $3 and a Jane Austen topaz necklace that was a gift. I also had some ballet flats from Coppel in Mexico on sale at $49–yeah, expensive for me, but super comfortable for a whole day of activities, including the signing and selling of my Jane Austen Fan Fiction novels! As expected, A Most Handsome Gentleman was the most popular, given that many festival-goers had already bought and read the back-list. I got lots of encouraging comments from those fans!

I hope organizer Trisha Knight and the Centennial Belles will continue this festival for a fourth year next year so we can beat our record of 349 people in Regency costume in one place. It sure was fun! Think about adding this wonderful destination to you holiday plans for next year. I can loan a few costumes! Perhaps Chamber Opera Tours will be back with another fantastic production!

 

Suzan’s JASNA Regency Costume Adventure

My costuming road trips continue as I purchase hats, ribbon, beads, and trim in Mexico in the winter and bed sheets for gown fabric in Canada in the summer for my Regency costuming events each year. What adventures I have! This time, the gig was a presentation on the Thrift Shop Regency Costume Experiment (TSRCE) at the May meeting of the Victoria BC Region of the Jane Austen Society of North America (JASNA).I shared a PowerPoint presentation explaining the TSRCE and its success, showed off a portion of my collection of Thrift Shop upcycled finds, and enjoyed the tea and goodies with other like-minded Austen fans on May 13, 2017. Here are the pictures to prove it. The presentation, complete with references to parasols:

Here are some of the materials on show (click on the thumbnails to enlarge):

 

This is just a sampling of my stash. I really need to buy less and construct/sew more as the raw materials for Regency costumes are taking over my closet!

Me with my new coral beads, earrings, and fan, with some Regency hat wannabes in the background:

There was good interest in the program, and I did a pitch for the Jane Austen Festival in Port Alberni on July 14-16, 2017. I’ll be there for the Guinness Book of Records count for most people in a room in Regency costuming on July 15 at 10am-noon. I also offered to email my drawings of patterns for a lace cap and my original cushion-cover reticules to interested members.

Thanks to Merle Brown and Alison Dacia Brown who shepherded me through my worries and needs for this event and helped make it a success, and to the members of Victoria JASNA for being so welcoming. Photo credit goes to Bruce, who also helped me with my technical issues for the projector, and Alison Dacia Brown.

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Other news:

  • I’m currently editing A Most Handsome Gentleman, a P&P-inspired Regency comedy-romance novella that just finished posting at AHA, for a fall release.
  • Learning from My Mistakes will return soon with more punctuation and some POV tips!Save