Suzan Lauder’s “Learning from My Mistakes” Lessons for Writers

This is the final post of a blog series designed to help other authors by sharing the mistakes I’ve made in the process of having several published books so others can learn before making the same errors in their writing, editing, and other similar endeavors. This post is a summary of the lessons listed in the other eighteen posts and works as well for traditionally published writers as it does for independent author-publishers or any mixture of the two styles.

Lesson #1: As an author, your goal is to provide a reading experience with the greatest level of satisfaction that is within your control.

Lesson #2: Several full author edits are the preferred norm for ensuring quality writing.

Lesson #3: Keep a checklist of your most common errors and use a “Find” function to clean them up during your later editing process.

Lesson #4: When you’re stuck, break the task down into chunks. Write each chunk down on paper and schedule them.

Lesson #5: If in doubt on punctuation spelling, grammar, word usage, etymology, etc., look it up!

Lesson #6: Beta readers can help an author at all points in the writing process.

Lesson #7: Every author listens to and incorporates the advice of one or more professional editors who know the conventions specific to their style, content, sub-genre, etc.

Lesson #8: Avoid telling too much of your story through the voice of a minor character, particularly in the early chapters. Let your lead characters’ voices shine through.

Lesson #9: Show, don’t tell: Describe the feelings and senses to show your readers what is happening rather than stating them in plain language.

Lesson #10: Avoid head-hopping like the plague!

Lesson #11: To avoid a choppy or head-hopping effect within a chapter, use an extra line break or a scene separator when changing point of view.

Lesson #12: Change filter words of thought, feeling, and senses to make the POV deeper and enhance the reader experience.

Lesson #13: Be consistent with your POV selection.

Lesson #14: When writing in a specific period in history, use good judgement to choose language and scene setting used that suits that period and doesn’t include obvious anachronisms or incongruities with the period.

Lesson #15: Get inspiration from others for those difficult-to-write scenes.

Lesson #16: Let your romantic encounters build. Pick and choose aspects of love making to prepare the reader for the culmination.

Sixteen lessons for eighteen posts that took place over nearly two years! Some posts relied on the same “rules” as earlier topics and some posts had topics that introduced more than one lesson.

Note that these lessons don’t deal with how the author publishes their work. That’s because I firmly believe that there is no wrong way to go about publishing, whether self-publishing, hybrid publishing, or traditional publishing. What fits the author’s needs and abilities is the best direction, as long as the author also pays attention to the lessons learned above and is satisfied that they’ve met Lesson #1 in the process.

Another detail to note is that this series focused on fine-tuning of the written word with a little information on the presentation of the book, items which can make or break reader satisfaction. However, it’s unlikely that readers will tell you that those items bother them. Marketing research tells us that only about 3% of customers will tell you when they are dissatisfied, but those who are unhappy will tell 19 friends.

Technical issues are important, but most reviewer ratings relate to enjoyment of the book itself: story quality, readability, and match to expectations. This is your wonderful brilliant story and their subjective reaction to it. Be warned that reviewers may be a fickle lot, and not “get” you. The best reaction to that situation is a final lesson in wisdom that I learned from the managing editor at Meryton Press, paraphrased to the best of my recollection.

Michele Reed’s Wisdom: In the case of a poor review, try to discover what you can learn from it. If what the reader says is reasonable, make those changes as well as you can and move ahead. If you still disagree with the criticism, let it go.

With that final bit of advice, I end this series. You can find the 18 other posts by clicking on the “Suzan Lauder’s Learning from My Mistakes” link on the topic cloud on the side panel or the tags at the bottom of this post, or follow them starting with this first post of the “Learning from My Mistakes” series. A reminder that comments get entries into the draw for a book and other little goodies as mentioned throughout the series. Eligibility closes in one week.

Adieu!

Disclaimer: I’m not a writing expert. I’m just a writer who learned some stuff other writers might like to know instead of learning the hard way. My approach is pragmatic and my posts are not professionally edited!

Review: Persuasion by the Chicago Chamber Opera Tour Company

I was fortunate to attend a performance of the musical adaptation of “Jane Austen’s Persuasion: A Musical Drama” by Barbara Landis on July 6, 2018 as part of the Port Alberni Jane Austen Festival. It was a brilliant performance highlighted by 49 musical pieces from music of Jane Austen’s time to Irish folk tunes to classic opera, much of which is enhanced by lyrics and arrangements by Landis, who also took the lead roles in the play. Landis is certainly a flexible force behind this production, taking on the role of playwright in this variation of Jane Austen’s shortest novel as a tribute to the 200th anniversary of its publication. In discussion with some of the cast later on, I found out that she also takes a lead financial role and is a sort of mother to the very large cast and team involved in the performance, which has toured the world since 2013. To top off her ties to this situation is the fact that she’s a distant relative of Jane Austen. I’m sure that was as much of an impetus to do this show as any other reason.

Persuasion is clearly a strong romance, with the obligatory angst keeping the protagonists apart until the key moment when they both understand that the other’s love has withstood all the trials it has been forced to bear. Finally, the couple comes together, eliciting tears from the romantics in the audience.

A notable performance of the evening came from the perfectly austere, then flirtatious, then romantic–with perfect timing on those characteristics–Jeff Diebold as Captain Wentworth, who was wonderfully tall and handsome in his captain’s uniform. Comedic turns by several of the cast members were additional highlights, most notably by John B. Boss as a flamboyant Sir Walter Elliott, and Gretchen Mink Hansen, who could have walked off a Rowlandson cartoon, thanks to the costuming and her body language! I was especially impressed by the acting and singing of the dual roles of Anne Elliott and Jane Austen by Barbara Landis. Though Landis is significantly older than Anne is in Austen’s canon, the gifted and well-experienced soprano pulls off the multi-faceted role and character changes well. Her “bloom” comes back when she is in love, and she is the glue that holds the production together.

Nearly all the cast members were strong in voice and excellent actors. The odd time there was a mismatch with a stronger and weaker voice, however, at other times the duet was magical. With so many tunes to choose from, it’s impossible to pick out highlights. Landis did a marvelous job of timing and matching the music to create a seamless production with so many actors and songs.

Many in the audience were particularly enthralled by the two professional Irish dancers, but for me, the cameos that were most enjoyable were the choral music and classical opera, but that’s purely because I love those types of music. This brings up an interesting point about the production: it’s got something for everyone, yet no one style was so overdone that those who weren’t big fans could be tired of it.

Costuming was a delight to the eyes despite some Victorian-looking hair styles, black neck ties instead of white Regency cravats, and a dearth of top hats. The lovely gowns and handsome tail coats were evident again the following day when the cast joined the festival-goers to try to break the Guinness World Record for people in Regency costume in one location–and came up only 60 short. I loved some of the details of the ladies’ gowns and how the dresses changed for each scene and the level of circumstance of each character. Similar details were given to the men, from the naval uniforms to the elaborate lace cuffs of Sir Walter.

Chamber Opera Tours can be proud of this long-standing production, which heads off to the Jane Austen Festival in Bath in the autumn. Barbara Landis’s adaptation of Persuasion was perfect Austen, wonderful Regency, and a melange of music proven to please all preferences. Brava!

Disclaimer: I’m no theatre critic, I’m just a person who loves opera, Regency costuming, and Jane Austen who happened to enjoy this show a great deal, as Austen would say.

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For those of you who have followed the Thrift Shop Regency Costume Experiment, I made a gown from a Value Village bed sheet at $7.99 and a ton of chenille and lace from Parasina in Mexico at about $5 and tried to match it to a Regency fashion plate for the Port Alberni Jane Austen Festival this year. What do you think? I wore Joe Fresh earrings at $3 and a Jane Austen topaz necklace that was a gift. I also had some ballet flats from Coppel in Mexico on sale at $49–yeah, expensive for me, but super comfortable for a whole day of activities, including the signing and selling of my Jane Austen Fan Fiction novels! As expected, A Most Handsome Gentleman was the most popular, given that many festival-goers had already bought and read the back-list. I got lots of encouraging comments from those fans!

I hope organizer Trisha Knight and the Centennial Belles will continue this festival for a fourth year next year so we can beat our record of 349 people in Regency costume in one place. It sure was fun! Think about adding this wonderful destination to you holiday plans for next year. I can loan a few costumes! Perhaps Chamber Opera Tours will be back with another fantastic production!

 

Coming JAFF Attraction: The Mist of her Memory by Suzan Lauder

Members of the online Austenesque reading site A Happy Assembly will enjoy a sneak peek at my latest story, The Mist of her Memory, a Regency romantic suspense/mystery. If you’re not already a member, you should seriously consider joining this excellent Jane Austen Fan Fiction site with over 2000 stories, some of which are better than most published works. It’s the largest JAFF only site on the Internet with nearly 10,000 members. Registration is easy and intended to keep the site membership to the 18+ age group since a few of the stories are mature rated (they are marked MA for those who wish to avoid them). The personal information requirement is minimal and kept personal, there are no ads, and best of all, it’s free. The site isn’t limited to stories–there are also excellent Regency resources and discussion groups included.

The Mist of her Memory is a Regency romantic suspense with a strong mystery element. It will appeal to all JAFF lovers as well as mystery/suspense lovers who’ve read Jane Austen’s Pride and Prejudice.

Update July 24, 2018: Now Posting Sundays and Fridays at this link!