Tag Archives: Suzan Lauder

Coming JAFF Attraction: The Mist of her Memory by Suzan Lauder

Posted on by
Reply

Members of the online Austenesque reading site A Happy Assembly will enjoy a sneak peek at my latest story, The Mist of her Memory, a Regency romantic suspense/mystery. If you’re not already a member, you should seriously consider joining this excellent Jane Austen Fan Fiction site with over 2000 stories, some of which are better than most published works. It’s the largest JAFF only site on the Internet with nearly 10,000 members. Registration is easy and intended to keep the site membership to the 18+ age group since a few of the stories are mature rated (they are marked MA for those who wish to avoid them). The personal information requirement is minimal and kept personal, there are no ads, and best of all, it’s free. The site isn’t limited to stories–there are also excellent Regency resources and discussion groups included.

The Mist of her Memory is a Regency romantic suspense with a strong mystery element. It will appeal to all JAFF lovers as well as mystery/suspense lovers who’ve read Jane Austen’s Pride and Prejudice.

Update July 24, 2018: Now Posting Sundays and Fridays at this link!

Why first person? Suzan Lauder’s #LfmM

Posted on by
2

Why did I write A Most Handsome Gentleman in first person point of view?

The answer: because it came out of me that way. End of post.

Just kidding. I can elaborate a little more than the actual answer above.

In the past, I had written in first person point of view in a novelette length story, but it was in the modern part of the time-travel story (Performing to Strangers; posted at A Happy Assembly in 2010). I had channeled a friend as a parallel character to Elizabeth Bennet, so it was easier.

Elizabeth Bennet with a parasol, Brock drawing from Wikimedia Commons

I know that some readers don’t much care for first person, and for that reason, I would normally have avoided it. But when I finally started typing my “Hot Collins” story idea, the words that came out of me were Elizabeth Bennet’s, and the way they were phrased used “I” instead of the third person deep point of view that I had honed my craft on in Letter from Ramsgate, which is the most common style for Regency romances these days. No one was more surprised than me.

My Meryton Press editor Gail Warner was just as surprised and told me she’d never edited a first person novel before. It sounded like a warning about her abilities, but I think this novel was easier to edit than the other ones—at least, Gail made it look easy!

First person is commonly used in Young Adult and New Adult novels, however, A Most Handsome Gentleman, as a Regency comedy-romance, doesn’t fit either of those genres no matter how much it might get a laugh from the readers.

But I think first person works far better than any other point of view device would for this story. In fact, the only other POV I would consider writing this in would be from Mr. Collins’s view, and I think it could be first person there as well. However, we would lose the nuances of Elizabeth’s thoughts about Mr. Darcy even if Collins would watch their relationship blossom and grow. It’s much better told by Elizabeth, first as her unconscious attraction and later, similar to Pride and Prejudice, where she laments that he is the right man for her even though she can’t expect Darcy to be interested in her.

And that’s the reason we read Jane Austen Fan Fiction—for that Elizabeth and Darcy happily ever after!

A Most Handsome Gentleman was successful in earning the praise of all its blog tour reviews with consistent four and five star reviews. It was also selected as a top book for 2017 by three book bloggers (Diary of an Eccentric, Margie’s Must Reads, and More Agreeably Engaged). So authors, don’t be scared to try something like first person point of view if it fits your story. It’s not a mistake if you’re successful, it becomes part of your style and voice. But mind not to take that to an extreme and become an editor-resistant diva—“voice” does not mean mistakes that a good editor would check!  A truly successful book is a well-edited one, by both the author and a professional, no matter what special techniques are used.

~

Learning from my Mistakes will probably have one more “Official” post: a summary of all the lessons learned, with links back to the articles. This does not mean I won’t occasionally identify a problem area that’s worth sharing to help other authors avoid it. In fact, in my reading, I still encounter books that are brilliant with the exception of the editing. A recent example would earn a two star rating, it was so full of homophones, misspelled words, sentence fragments, and redundancies though the plot and writing ability in general deserved four stars. The moral of the entire blog series is still “Get an Editor!”

~

Disclaimer: I’m not a writing expert. I’m just a writer who learned some stuff other writers might like to know instead of learning the hard way. My approach is pragmatic, and my posts are not professionally edited!

New Excerpt from “A Most Handsome Gentleman” #HOTCollins

Posted on by
2

I promised three items from my Meryton Press published mini-novel A Most Handsome Gentleman some weeks ago. Here’s the second of the three: an excerpt from the Netherfield ball. Prior to the excerpt, Charlotte has been introduced to Mr. Collins, who likes both her and Jane, and Elizabeth has agreed to dance with Mr. Darcy. The narrator is Elizabeth Bennet.

~~~

Charlotte stretched her neck to see something beyond our nearest neighbours. “I wonder what he said to Mr. Bingley to get his colour up. Mr. Bingley’s easy-going nature does not usually allow him to become so inflamed.”

I rose on tiptoe to see for myself. “Oh, no! He is attempting to lure Jane to the supper dance, yet she has promised that set to Mr. Bingley. They are fighting over her again. Pardon me.”

Chayseland Taylor as Mr. Darcy.

As I made my way to the argument, I was thwarted by Mr. Darcy collecting me for his dance. He appeared seemingly out of nowhere and made a formal bow before me. I craned my neck around him to catch a glimpse of the commotion. With a drawn brow of confusion, he followed my gaze. His lips were a thin line of disapproval when his attention was once again fixed upon me.

“What are we to do?” I asked. “I do not want to draw attention to them, yet I hope to stop this foolishness at once.”

“What do you think they argue over?”

I gaped at him. “My sister! Jane! They both wish to court her. Mr. Bingley is clearly her preference, yet my cousin stubbornly refuses to give way.”

Robert Waller esq. as Mr. Bingley.

“She prefers Bingley?”

“Anyone with eyes can see that she does.”

Mr. Darcy looked intently at them. “I can see no greater admiration towards any person. She smiles no matter with whom she converses.”

“She is shy and does not want to expose her feelings for fear of being hurt. But observe her eyes—how they shine when she looks at Mr. Bingley. That tells the tale.”

It was not the best time to say such a thing. Jane’s eyes were not shining at the moment. Instead, she was glaring at my cousin as if she wished him to burn up and disappear like a guttering candle.

“Please excuse me.” I did not look at Mr. Darcy while I quickly curtseyed and dashed off in the direction of the altercation. I was not certain how he would take my abandonment of him for the promised dance. Goodness knows, I had seen the expression of disapproval on his face often enough, and to make matters worse, I could not expect to dance with him later in lieu of the delay. Mr. Darcy had indicated a propensity for implacable resentment, and this was one of the times I deserved it.

My goal when I reached the disagreement was clear: find a way to separate my cousin from Jane and Mr. Bingley. Was this going to be an easy task? His handsome face was twisted into something unpleasant, and even so, he was still the most comely man in the room. Who could chastise a fellow so fine looking as to be admired by every lady present?

~~~

Do you not just love the handsome gentlemen in this blog post? But what about Mr. Collins vying for Jane, and Mr. Darcy’s knowledge that Jane prefers Mr. Bingley?

Remember, I have a prize package to be drawn in April and you must comment or follow my blog to enter. It consists of a signed copy of A Most Handsome Gentleman, a choice of a Suzan Lauder TSRCE hand made pineapple reticule or grown-up lady’s lace cap, and some other trinkets.

You can look forward to another A Most Handsome Gentleman post in the next weeks, but this time, it’s not only related to my book, but also to my blog series on writing tips, Learning from my Mistakes.

~~~

Happy Birthday to Meryton Press author Amy George, who is celebrating by continuing her blog tour for The Sweetest Ruin.

New Year’s Day Bonus: Book Sale and Excerpt from #HOTCollins

Posted on by
5

On New Year’s Day 2018, the price of A Most Handsome Gentleman will be reduced for 24 hours to $2.99, an excellent price for a Meryton Press book. To help celebrate my book’s sale, I’m sharing an excerpt that was planned for the blog tour, but fewer excerpts were requested by bloggers than I had prepared. Of course, the number of excerpts was balanced by more of the other kinds of guest spots as detailed (with links) in my last blog post.

(Aside—the 24 hour sale is available only in the US and UK because this option is not offered to publishers by Amazon in other countries. Sale hours are PST in the US, GMT in the UK).

Today’s excerpt is a behind-the-scenes moment from Jane Austen’s Pride and Prejudice, and details the excitement when the Bingleys have dropped by to invite the Bennets to the Netherfield Ball—and handsome Mr. Collins is invited as well. It’s from the point of view of Miss Elizabeth Bennet.

~~~

Mr. Bingley and Elizabeth Bennet by Charles Brock courtesy Wikimedia

“A ball!” was repeated over and over as if my sisters required assurance that it actually had been said, and Lydia and Kitty first clasped each other’s hands and bobbed up and down, then continued the same activity with everyone else in the room. Mr. Bingley chuckled, not at all displeased with my sisters’ enthusiasm. Even Miss Bingley, elegantly attired in the most fashionable gown with an elaborate chemisette, found their raptures amusing as her mouth tilted sideways in a half smirk, though whether in disdain, self-importance that her invitation was the cause of this delight, or pure enjoyment of the scene was not clear to me.

Mr. Collins slid into the room, no doubt curious regarding all the noise, and my two youngest sisters rushed to greet him and share the good news. He held his hands in the air, palms forward, and tried to frighten them with his glare, but they both just giggled before resuming their seats and chattering, heads close together, peeping at Mr. Collins with alarmingly lascivious expressions.

Dear Jane spoke for us all and graciously accepted on behalf of our family. My cousin spun to face her with a queer expression. One brow was tucked down in the middle of his face, and his lip and nostril on the same side were raised, as if he were questioning something unpleasant—or possibly even unseemly—at least, to him it was.

Rather than continue my attempt to decipher his strange expression, my recent discussions with Mr. Collins made me bold enough to question him. “Sir, do you not intend to accept the invitation? Perhaps you do not believe it a proper amusement for young people, yet I am certain Mr. Bingley hopes you will join us, even if you may object to dancing yourself.”

“On the contrary, Cousin Elizabeth. Both the Archbishop and Lady Catherine admire my ability to discern the difference between wholesome entertainment and activities unbecoming to a cleric. A private ball given by a sensible gentleman and attended by respectable gentlemen such as myself has no tendency for evil. You know my generous disposition well enough by now—I could not deprive the neighbourhood ladies my hand in the dance. I also must take this opportunity to assure my three fair cousins that they will be among the first to stand up with me.” Lydia and Kitty faced each other with smirks and burst into giggles before they resumed their admiration of Mr. Collins. They must have become accustomed to him ignoring their existence.

Mr. Bingley took his point. “Indeed, Mr. Collins! We will be delighted to see you take your position in the line.” He addressed Jane. “Following your cousin’s good example, I request the first two dances of you, Miss Bennet.”

Jane’s cheeks are always a little pink, but at that moment, the colour flowed beyond its borders and across her entire face and onto her neck and upper chest left uncovered by her fichu. “I thank you, sir, I accept.”

Mr. Bingley’s face lit up. “Capital!” He glanced towards his sister. Miss Bingley tilted her head and offered a forced and weary smile. Her brother returned his beaming face to Jane, who could have been fevered again, she was so flushed. My poor shy older sister could not reflect his grand grin to share his elation, though she kept trying, peeking up through her lashes while her lips were curved up in the sweetest fashion imaginable, even for Jane. This was obviously encouragement, as he added, “And the supper dance?”

Everyone was diverted when Mr. Collins cleared his throat loudly. When he spoke, his voice was firm and chastising. “Mr. Bingley! Your assumption is not at all gentleman-like.” His tone was that of a parent scolding a child.

Mr. Bingley’s eyes went wide. “Excuse me, sir? I do not comprehend your meaning.”

“I am quite sure you do, sir. You are well aware that Miss Bennet is my cousin.”

Mr. Bingley hesitated, his expression further confused, if possible. “Y-yes?”

“I have priority.”

“Priority?”

I had to agree with the incredulity in Mr. Bingley’s voice. What sort of priority? What could Mr. Collins mean? I searched my cousin’s face, and his lips were pursed and his brow folded, yet he was still terrifically good looking. How could he manage such a feat?

~~~

Of course, it’s because he’s the hottest man to ever enter Hertfordshire! Or so it seems…

You’ll love the campy humour of this Pride and Prejudice variation. It’s not too long (I jokingly call it my mini-novel) therefore providing a quick and fun read.

I meant to post this excerpt early last month, but I didn’t want to draw attention away from the blog tour for Audrey Ryan’s debut novel All the Things I Know (the book is reduced to $2.99 tomorrow Jan. 2 only!). Then Christmas came, followed by a week-long bout of extreme vertigo, which is being minimized by exercises and should be over soon. The sale day for A Most Handsome Gentleman aka #HOTCollins seemed to be the best time to share a new excerpt, so here we are today. I’ll have the promised second excerpt and the article for Learning from My Mistakes in the next weeks.

TSRCE Update: Jane Austen Festival 2017

Posted on by
3

As time goes by, so changes our needs. I needed a new gown for the Jane Austen Festival at Port Alberni, BC, Canada in July 2017. The reason: an extra 2” in size due to a medication change about a year ago. In addition, Mr. Suze’s trousers had suffered an impossible-to-mend knee blowout at the Louisville JASNA AGM and, rather than have him wear basted Dockers, I planned to make him new ones. Add to the mix that my sister Lynn from Calgary, Alberta decided to join us, and I had offered to make her a bonnet, and I was one busy seamstress this summer.

Yes, I sewed. I had a 4m length of violet Swiss dotted cotton with embroidery down one side that was perfect for mourning Jane Austen 200 years after her death. It had cost me $7.99 at Value Village. First, I made what’s called a muslin: a gown from a $7.99 bedsheet to test my pattern. I made the bodice pattern myself from modifying a blouse pattern I got for 99₵ at Value Village, and the skirt was a straightforward set of rectangles and truncated triangles per numerous online Regency gown patterns. The muslin is for sale, but too small in the bust for me. I also made removable long sleeves so the gown would do for a day dress and ball gown.

My cottage bonnet was made from $3 picture brim straw hat with just the right shape. I got it in Walmart in Mexico and trimmed it up with flower hair accessories from Ardene and a huge purple feather from Dressew. I wore my new $65 off-white bustier, some Ardene clip-on roses trimmed some purple ballet flats, and my accessories were in my collection already.

I had a wardrobe problem, though: I had forgotten my slip at home, which comprises a scoop-neck, cap-sleeved blouse and empire-waisted petticoats with lace trim at the bottom. Because I was reading from a work-in-progress at the afternoon readings and play, I would be in bright stage lights with a lightweight gown with a sheer bustier underneath! Thankfully, the three of us rushed to Walmart where I purchased a white camisole for $3 and some simple white capris (pantalettes) for $14.99.

For Mr. Suze, I modified a pair of pleated Dockers that were too big for him that were in his closet in order to provide some pretty snazzy breeches. Here you can see some of the steps I took to make the pleats look like falls. I made a wide waistband from the part I cut off. He has 5 buttons on each leg, and added to those on top, I self-covered and sewed on 16 buttons for those breeches! The rest of his costume was outlined in former TSRCE posts, and cost about $180 in total.

Back view

Lynn was lucky: with almost no effort, she found a gown on Craigslist. For $20 she got a sleeveless, pale green, empire waisted gown with a sheer sash. I was able to make her short puffed sleeves using some off-white satin fabric with dots one shade darker than her gown. She also found a perfect little red parasol in the coat room where she worked. It was broken but Mr. Suze repaired it so it would properly open and close. I modified a spencer I already had for her and loaned her pink ballet flats, reticule, fan, and hair accessories. She has long hair so we had fun with the up-do for the ball. I made a nice capote bonnet for her using silk from a throw cushion cover, a $2.99 visor from Value Village, and ribbons and flowers I had on hand from various sources. I hand-sewed it, shirring a lining for the inside brim, and I’m very proud of the end product. Lynn and I also wore new lace caps under our bonnets.

Alas, although we broke the record from the previous year, we didn’t surpass the official Guinness record of 409 set in 2009 in Bath, England. However, it was fantastic to see so many people in Regency costume all at once! I met JAFF and Chick Lit author Shannon Winslow who was at the book signings at all three main events on Saturday with Regency romance author Helena Korin and me. I bought a signed copy of Shannon’s latest, Leap of Hope, and got it signed!

Helena Korin, Shannon Winslow, Suzan Lauder

Unfortunately, we forgot to take pictures at the Masqerade Ball that evening. Lynn and I had Venetian masks to match our costumes and Mr. Suze had a little “Zorro” mask that fit under his glasses.

So readers know how I looked that evening, I got dressed up in my ballroom costume this week. My feature purchase was discounted, yet it still cost more than everything else in my costume combined: my $199 armpit length, off-white, kid opera gloves. I also have a new fan from Mazatlán at $3. I’m not wearing the bustier in this pose, but instead, a balconette bra to show you how it looks (see the post on Regency unmentionables). You can also see my Joe Fresh jewellery bought on sale for $6 for the earrings and $8 for the necklace. On the dresser is Lynn’s bonnet remade with the purple trim from my Port Alberni hat. My $20 Venetian mask has a stick so I could hold it up in front of my glasses. Lynn’s mask was similar, but it had ribbon ties and different embellishments and cost $15.

We had a great time in Port Alberni once again, and our masks are nice souvenirs of the 2017 Jane Austen Festival/sister bonding event!

~~~

Wondering about A Most Handsome Gentleman, or #HOTCollins? Watch for blog posts on Meryton Press over the next couple of weeks prior to its release on Amazon!

Save

Get the Cover You Deserve: LfmM by Suzan Lauder

Posted on by
2

Like many readers, I have multiple reasons why I might choose to buy a book: I love the author’s other work and/or someone I trust has given it a smashing review, and the price is right. But just as important is the way it looks: a stunning cover makes a big difference. I rarely bother with covers that are just “meh” or worse, even if the book is cheap or free! I already have over 100 books in my “unread” file on my Kindle and as many in mind to buy when those are read. No need to muddy that up with iffy ones.

It’s not easy for authors to decide on a cover, but most authors give at least a little thought to it. Let me make a suggestion: give it more than a little thought. The cover has strong potential as a make-it-or-break-it selling point for any book. It should be a teaser for what’s inside, a hint of the drama on offer, and a taste of the reading pleasure that’s possible with the purchase of this new book. It should be unique enough that readers don’t confuse it with another book, comment on Amazon that you took another author’s idea, or get a laugh at your expense.

Eugène Delacroix, Portrait of Léon Riesener as Mr. Darcy in LfR

I love this portrait of Léon Riesener painted by Eugène Delacroix in 1835. I think he’s the perfect Mr. Darcy at the point when he realizes Elizabeth Bennet isn’t going to accept his marriage proposal at Hunsford, and I would dearly love to use him in that capacity on a book cover. There are two problems: I don’t have a book that suits him as cover art, and he’s been “taken” in the world of Jane Austen Fan Fiction (JAFF) covers, which is my sub-genre of Regency romance. Dear Léon was made into a phenomenal back cover Colonel Fitzwilliam by cover artist Janet Taylor for author Nicole Clarkston’s latest novel, These Dreams. By the way, I’ve bought several of Janet Taylor cover designed books for the covers alone. I’m lucky Nicole is also such a good author!

Letter from Ramsgate by Suzan Lauder, award-winning cover design by Zorylee Diaz-Lupitou. Click on the thumbnail to enlarge the image.

Meryton Press cover artist and administrator Zorylee Diaz-Lupitou has created quite a number of stunning covers for Jane Austen Fan Fiction novels, and she has a unique way of understanding how readers react to book covers: she and her husband go into book stores and look for covers that catch their eye. They make a bit of a game of it: point the book out to each other, then justify their choice. They then work together to critique it in comparison with other similar covers and figure out why it caught their eye. That way, details are analysed so Zorylee comes back with an arsenal of concepts to use in searching for the right images and fonts for each novel.

Author L.L. Diamond has a degree in studio art, which means she’s a trained graphic artist as well as a gifted watercolour painter. Her art history expertise means she can find cover art that’s not exactly from the era she writes in, but leans so much towards it that the reader is none the wiser. They also evoke the story within very well, and draw the reader towards purchase just for the pretty cover. This is an example where an author-designed cover is a good thing—when the author is well-qualified.

“Regency Woman 2” photo used in various formats on 23 Regency romance and JAFF covers.

These are merely three examples of good cover artists, and there are many more out there. Yet too many authors use cover artists that re-use materials from other authors’ covers, making the author lose the “unique” they thought they were paying for! The girl on the left is on no fewer than 23 covers, disguised a bit on some, but easy to pick out. However, if someone uses the same cover art as you did, the best you can do is say to yourself, “imitation is the best form of flattery.” Acknowledge it if mentioned, but take the high road.

Some cover artists have no background historical costuming or scenes. It’s too bad that they take money for their weak efforts. Giving short shrift to historical accuracy on a cover grates on the reader just like anachronistic scenes or non-period language inside can: how many times has it bugged you to see that same old spray-tanned, blow-dried 1990’s hair, modern tuxedo-wearing gentleman on multiple authors’ Regency romance covers? (There’s a dark haired and a blond version!) It drives me up the wall, and is a strong deterrent to purchase, even if I really like the author. How about Victorian-ish gowns or a man with long, flowing hair on a Regency romance? Blech. Yet some top authors use them all the time. I suppose they’ve justified themselves that their books still sell well. But how much better would they sell with a historically accurate cover?

Even worse, in my opinion, than the ill-qualified cover artist is the author who does it on their own using a photo that simply says nothing about the book—it could be on any novel, it’s so generic. Authors pay attention to adverbs and character studies, dropped caps and epilogues, yet those aspects don’t get new readers in a buying mood. Authors, you can only go so far in counting on people wanting to read the first book based on price and forgiving you enough to buy the next one if your cover is a dead bore. A matching dead bore is no compensation.

And layout is hard, even for a seasoned cover artist. Where should the title and author name go, how large for each image and font, which fonts to use, how to enhance them, etc., etc., are all difficult questions the cover artist must deal with. If that is the author who is an amateur, you can get by with rules of thumb only so far, then little layout glitches come out to bite you.

I even get sad when I see the covers where the scale doesn’t work on Amazon—clearly, the amateur cover designer had no clue. This even more important for fonts, though it’s common with tiny images, too. You have to be able to see and read the cover when it’s at a small scale.

Care must be taken using images. Make certain you know the source and pay for the rights when necessary with photos and even antique portraiture. Personally, I frown on a heavy reliance on computer graphic images in most genres unless well rendered and realistic in appearance. The cover shouldn’t imply that the story is a video game—unless it is. If you’re creating your own cover, you’d better be pretty good at Photoshop. Too often, it looks like there’s a cut-out doll pasted with mucilage onto the background scene, or the scene is out-of-scale or out-of-context. And don’t get me going on pasted-on fake hair!

Try to be well aware of most of the covers in the book’s sub-genre so you don’t make the mistake of copying them, however inadvertently. For example, too many Jane Austen Fan Fiction covers look like the original cover of Austenland when it should have been the only one, and we already discussed that girl on 20 covers. It may be a nice image, but if it’s someone else’s, move on.

There is such a thing as too much, and covers with a dozen images from various parts of the book run the risk of being disjointed and busy. Keep it to a few key messages for each of the front and back cover and then make them look the most unique as the author can afford.

What about the back cover? That’s a personal decision. Some are simple, just a text panel showcasing the blurb and some complementary graphics. Others are just as well-designed and detailed as the front cover. If the author will be doing signings, the back cover will help sell as well, so take care there.

A good cover artist will read your book first. If that’s not possible, the author should give them a detailed synopsis to work from. Authors can help their cover artist out by sending ideas in the form of descriptions, clip art, or a Pinterest page for their novel. Don’t expect the good cover artist to use exactly what you sent. Do give the cover artist detailed feedback and stand up for any changes you think need to be made, but expect that there are limitations to what the cover artist can do given certain media. For example, it’s hard to modify original art. Even with graphic design, there’s only so much that can be done. Work with the cover artist to get the best out of what limitations exist.

The lesson goes back to the original post in this series: authors should do their best to give the reader an experience with the greatest level of satisfaction within the author’s control. Covers add to that reading experience, so pay attention to cover design! Here are some ways to achieve your goals:

  • Look at other authors’ covers in your sub-genre to see which are the most striking.
  • Read reviews and blogs in your sub-genre to know which covers get the most positive comments.
  • Learn what it means to be historically accurate for your book.
  • Think about the content of your novel: does your cover tell enough of the story to intrigue a potential reader?
  • Ask friends who read in the genre to point out their favourite covers and analyze why they work.
  • Make sure your graphics and fonts are polished looking and visible at small scale.
  • Work with your cover artist asking questions and making suggestions for improvement until you’re satisfied it’s the best you can get for what you’re paying.

Don’t allow the cover to take a back seat to the quality of the novel. All that hard work deserves to be displayed in the best way on the Amazon seller’s page. Make your book memorable both inside and out, and it should pay off.

Disclaimer: I’m not a writing expert. I’m just a writer who learned some stuff other writers might like to know instead of learning the hard way. My approach is pragmatic, and my posts are not professionally edited!

Second Disclaimer: If I’ve missed a few contractions, it’s not because I’m overly formal, it’s because I’ve been writing Regency romance lately and that sub-genre uses no contractions!

Save