A road trip to Madame Gilflurt’s blog: My guest post on sneaky Regency hands.

I clicked the wrong link. I intended to email the organizer of a Jane Austen ball to tell her about the Thrift Shop Regency Costume Experiment, but I accidentally clicked a link that led me to Madame Gilflurt.

011-Mrs-Robinson-as-Perdita-246x300 as Madame Gilflurt“No problem,” she said, “but would you consider doing a guest post on my blog?”

Of course! I love to hear myself talk, and a busy blog sounded fun. I had an idea for a blog post that came up during my research on Regency gowns, and offered to post it on her blog. She loved the idea. It took a while for me to write the actual text of the post, and by then, Madame Giflurt was in the middle of her own series.

Today, the post is up: The Itch Exposed: A Special Report for the Admirers of Regency and Georgian Fashion. It’s a tongue-in-cheek look at an accidental observation I made while perusing hundreds of Regency gowns in museum pieces, historical paintings, and fashion magazine drawings—the position of some ladies’ hands in drawings from Costume Parisien and other art during the early 1800s. You can read the post at A Covent Garden Gilfllurt’s Guide to Life: Glorious Georgian dispatches from the long 18th century…, Madame Gilflurt’s blog.

La Miroir de la Mode gown from 1803, the inspiration drawing for Suzan Lauder's January 20, 2016 guest post on "A Covent Garden Gilflurt's Guide to Life" blog.

La Miroir de la Mode gown from 1803, the inspiration drawing for Suzan Lauder’s January 20, 2016 guest post on “A Covent Garden Gilflurt’s Guide to Life” blog.

Madame Gilflurt, also known as Catherine Curzon, blogs about the fascinating personalities of history, focused on the 18th Century and Regency periods. Her lively blog includes a number of interesting guest writers each year. She is also the online host for An Evening with Jane Austen, and may just get to see Adrian Lukis’s (Mr. Wickham from the BBC/A&E 1995 production of Pride and Prejudice) phone number come up on her call display from time-to-time. Madame Gilflurt will join road trips with the redhead for a guest post celebrating the release of her non-fiction book Life in the Georgian Court, which is being published by Pen and Sword books in June 2016.

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A reminder to catch up on chapters of Letter from Ramsgate, now posting at A Happy Assembly! We’re past the bad angst and moving towards mush. The comments thread is as much fun as the story!

Graphic art for signature design by L.L. Diamond using an oil painting by Johannes Vermeer: "A Lady Writing."

Graphic art for signature design by L.L. Diamond using an oil painting by Johannes Vermeer: “A Lady Writing.”

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As can be seen on the sidebar of this blog, Then Comes Winter has been selected as a favourite on three top JAFF book blogs! YAY!

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Please comment on this blog (below) at any time, or for today’s guest post, on Madame Gilflurt’s blog!

New Story Fun: A #Regency beach story excerpt and a book launch party!

Everyone loves to go to the beach for a few weeks in summer. Of course, they like it in winter, too, dependent upon where the beach is–somewhere warm, perhaps?

Modern Ramsgate beach.

Modern Ramsgate beach.

Those who are interested in Regency history and Jane Austen’s novels would believe it would be fun to spend time at Ramsgate.

What if Elizabeth Bennet had an opportunity to to just that? If she and her Aunt Gardiner are invited to join Mrs. Gardiner’s childhood friend at her home in Ramsgate for a few weeks in the midsummer of 1811?

Ramsgate harbour, early 19th century. Image courtesy Michael's Bookshop.

Ramsgate harbour, early 19th century. Image courtesy Michael’s Bookshop.

You may recognize the time as just prior to the start of Jane Austen’s Pride and Prejudice, and note that a significant event took place at Ramsgate at that time: the near-elopement of Georgiana Darcy and George Wickham, with the assistance of Georgiana’s companion, Mrs. Younge. It would be interesting if the two young women were introduced by Mrs. Gardiner’s friend Lady Edwina Baverstock, and they became fast friends. But what of Mr. Wickham and Mrs. Younge?

My interpretation of the summer romance that Austen never completely explained, and how Elizabeth Bennet’s presence at Ramsgate influences the events we know about in Pride and Prejudice, is available for your reading pleasure! Today, I’m sharing the opening scenes of Letter from Ramsgate!

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Johannes Vermeer (Dutch, 1632 - 1675 ), A Lady Writing, c. 1665, oil on canvas, Gift of Harry Waldron Havemeyer and Horace Havemeyer, Jr., in memory of their father, Horace Havemeyer

Johannes Vermeer (Dutch, 1632 – 1675 ), A Lady Writing, c. 1665, oil on canvas, Gift of Harry Waldron Havemeyer and Horace Havemeyer, Jr., in memory of their father, Horace Havemeyer

Excerpt from
LETTER FROM RAMSGATE
by redhead (Suzan Lauder) © 2013

April 1812
Hunsford, Kent

Elizabeth stared as Mr. Darcy stalked towards the door, his broad shoulders stiff and tense. Each step created a measured, hollow tattoo in contrast to the staccato beat of her heart, accentuating their disparate states and a divergence impossible to resolve.

He paused as his hand touched the doorknob, and then he turned back so slowly it might have been a dream. As his eyes set upon her, a host of emotions played across his face. Were disappointment and regret mingling with the resentment he expressed so eloquently moments before? Could she hope his feelings would budge, just a bit?

Her fingers clutched her gown in mimicry of the grip around her heart, clenched so tight in her chest it might never return to its natural state, and although it fought hard, the struggle for its sense of equilibrium was out of reach.

He gave her one more contemptuous glance before he quit the room, closing the door so decidedly behind him, the sound made her shudder. The tumult of her mind was now painfully great. She knew not how to support herself, and from actual weakness sat down and cried for half an hour. Her astonishment, as she reflected on what had passed, was increased by every review of it.

That Mr. Darcy thought her such a dishonourable person was beyond anything she ever imagined. The anger in his voice, the almost menacing countenance as he rounded on her and accused her of such actions—these were indelibly imprinted in her mind. How, after their mutual exclamations of love, had he contrived to misunderstand the situation so egregiously?

Her mind searched past memories. It was near unfathomable how many unfortunate obstacles had served to pave the way to this final quarrel! Regret was her companion now, but she must own those uncomfortable feelings—it had been her choice to express herself with such malice when she could easily have disclosed the confidences that would have vindicated her. But she would stand by her promise.

So this was her fate. To have Fitzwilliam Darcy somewhere in the world thinking ill of her was almost too much for her to bear, yet it was so.

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One Year Earlier
April 1811
Longbourn, Hertfordshire

“Your uncle has been prevented by business from accompanying me, and given that you and I enjoy one another’s company so well, he obliged me and suggested you would be as good a replacement for him as any body.” Mrs. Gardiner’s eyes sparkled as she said it.

If she and her parents agreed, Elizabeth would spend a significant part of the summer at the home of her aunt’s good friend in Ramsgate, and she had never been to the seaside. Her aunt became more and more animated as the details of the plan were described, and tickly sensations of excitement traversed her spine.

She accepted swiftly and with great appreciation. “The intimacy we share as niece and aunt, along with likeness of mind and spirit, will prove to make for great felicity!”

By this time, her aunt had a firm grasp upon her hands. “We shall have a fine time of it, Lizzy.”

Elizabeth shared her aunt’s pleasure. “We shall not be like other travellers and merely take in the promenades and sea air; no, we shall seek adventure, and our minds shall be so full upon our return that we will have plenty to relate without relying on our imaginations.”

Her aunt offered no objection to such a scheme, and a date was fixed for Elizabeth to journey to London and join her for the trip. There were three months in which to plan, and three months to suffer her mother’s ideas of preparations.

Finally, she waved away her family and set out for her adventure.

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I hope this snippet made you curious enough to join us to read about Elizabeth’s adventure! Letter from Ramsgate is currently posting in serial format at A Happy Assembly. Readers interact with the author by commenting on each chapter as it’s posted weekly on Wednesday afternoons. Currently, chapter 1-4 are up, so it’s easy to catch up with the others. Membership to AHA is required, but there are no ads at this free Jane Austen literary club web site. Your private information remains as private as you choose.

If now isn’t the best time for you to read, I plan to publish Letter from Ramsgate in 2016.

A_calm_by_James_Gillray smaller_______________

GREAT NEWS!:

French actor Gaspard Ulliel.

French actor Gaspard Ulliel.

A short, modern romance I wrote last summer will be featured in Meryton Press’s soon-to-be-released holiday anthology, Then Comes Winter, edited by Christina Boyd. W00t! Christina also edited the successful Meryton Press summer anthology, Sun-Kissed: Effusions of Summer, which is available at booksellers’ now.

My short story in the winter anthology is called Delivery Boy; it’s about mistaken first impressions, admiration from afar, and a rather heavy mustache!

Join us for the Merry, Merry Book Launch party on November 16-20 on Facebook, with fun games and give-aways! We’ll follow that with a blog tour; dates and times will be announced at Meryton Press!

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A Lady in Summer Dress with sea bathing in backgroundThe prizewinners from the online portion of the Louisville JASNA give-aways for Thrift Shop Regency Costume Experiment are jenred and daria! Congratulations, and thanks for commenting on the blog! Each will get a copy of the upcoming youth-and-up-rated Then Comes Winter, with my signature on my short modern romance, Delivery Boy, and one of my original design cushion cover reticules (I plan to line the two unlined ones I made before sending them off to these two). Each reticule contains an embroidered handkerchief and paper cocktail parasol, and is signed by me!

“Party Central” in the #Regency: When was the Season?

"Longitude and Latitude of St. Petersburg" by George Cruikshank, May 1813. Caricature of Almack's patroness Countess Lieven waltzing at an assembly at Almack's. From Wikipedia Commons.

“Longitude and Latitude of St. Petersburg” by George Cruikshank, May 1813. Caricature of Almack’s patroness Countess Lieven waltzing at an assembly at Almack’s. From Wikipedia Commons.

Balls, routs, mornings that started at 11 and ended at 4, and a requirement to be seen—no, recognized—no, ADMIRED through every waking minute of it. Daunting but exciting at once for a young woman coming into society. (Note that “debutante” would not be used in this context until 1817.) The trouble for Regency writers is not in imagining the lovely scenes with beautiful gowns and handsome men; the magic of TV and movies helps with that. The trouble is, when exactly did the Regency Season begin and end? “Experts” cannot agree. I would argue that it wasn’t like a statutory holiday, rather a living thing that depended more upon those who made it what it was.

The part of the experts’ time lines that makes sense is that the Season coincided with the sitting of Parliament. Peers who took their seats in the House of Lords and gentlemen members of the House of Commons would head up to Town (London was always up, no matter what direction one was headed), and their families would follow. With a critical mass of the rich and famous in Town, it became party central. The action gained momentum as the months passed, until Parliament adjourned, and all and sundry relocated to country houses or resort towns. Of course, Parliament would break for Christmas, Easter, and sport (hunting) seasons.

With that knowledge as their basis, various sources state definitively that the London Season took place from January to June, February to June, January to April, January to May, March to June, and January or February to August 12, when the grouse hunting season began. They claim the “Little Season” took place from September-November, October-November, or that there is no evidence it existed, and it was invented by Georgette Heyer! I won’t embarrass any of them with references. But all set a specific set of dates for something that was likely more fluid.

So rather than just assume that Parliament took place between certain dates all the time, why didn’t anyone check Hansard? For those unfamiliar, Hansard is the record of Parliament. It comes from the name of Thomas Curson Hansard, one of the original publishers of the summaries of Parliamentary debates. We use the same word in Canadian Parliament.

The dates Parliament sat from 1810 to 1813, when most Austen-inspired fiction takes place are:

  • 1810: January 23 to June 21, with an Easter break from April 17-23.
    Members were called to discuss the King’s Illness on various dates from November 1, 1810 to January 8, 1811, however, it was not a regular session of Parliament. This is often referred to as the “Year of No Christmas.”
  • 1811: January 11 to July 24; break April 10-26. The “Regency bill” was passed on February 5, 1811.
  • 1812: January 7 to June 30; break March 29 to April 8. Prime Minister Perceval was assassinated on May 11, 1812.
  • 1812-3: November 24, 1812 to July 22, 1813; breaks from December 18 to February 3 and April 12 to May 12.

The sitting of Parliament appears varied during these few years, as seems reasonable. If any “Little Season” took place, it would be in 1810 and 1812. However, 1810 consisted of emergency meetings, and it was unlikely the duration could be planned. The date set for Parliament to reconvene in 1811 had probably been set at adjournment the previous session, so I don’t think many MPs (Members of Parliament) would have moved their families earlier than then. In 1812, we have November 24-December 18 as possible party time, but that’s a short time to develop any sort of a season.

The suggestion that the unofficial height of the Season occurred after Easter makes sense as well. Weather would be better for traipsing around in diaphanous gowns. The Almack’s patronesses began meeting on Mondays in March and handing out their very exclusive vouchers in April, with a dinner and ball held every second Wednesday. The boxes at the opera became more widely available, and it was unfashionable to attend the opera until that took place. In June, the annual Exhibition at the Royal Academy opens and the Royal Ascot takes place at this time, even to this day.

Ladies' Voucher for Almack's, 1817

Ladies’ Voucher for Almack’s, 1817

It also makes sense for the London Season to end as the weather warmed. The city was already full of odours of horse and human waste, coal smoke, and damp (mold) in the winter, but added to the heat of summer, it would be stifling. A “Summer Season” of balls took place in the resort towns such as Bath and Ramsgate. Bird hunting took place in the late summer, and fox hunting in the fall, so gentlemen would prefer to be in the country during those seasons.

Bath Winter Assemblies voucher 1811-12

Bath Winter Assemblies voucher 1811-12

The London Season was expensive: a gent could be relieved of his blunt by a daughter faster than by a thief from Seven Dials. One was required to maintain a carriage, horses, stables, and the full running of a second household; purchase unique fashionable costumes and accoutrements for all sorts of activities, as well as event tickets, including season tickets for balls; and entertain. Activities included dinner parties, balls, routs, fancy balls, breakfasts, card parties, concerts, court parties, shopping, theatre, opera, pantomime, soirees, and musicales. Sporting events like horse racing could empty one’s pockets, too. Traffic jams were common, and one could spend as much time in the carriage waiting in queue to be attended as dancing at the ball.

The events of the Season were essential for the aristocracy, landed gentry, and higher-ranked urban tradesmen and professionals to attend with their families. The number of potential matches on hand was unequalled at any other time, and allowed prioritization to achieve the best possible matches with their sons and daughters. But the reverse also took place, and the prestige offered by attendance at the right events affected choice of mate just as much. The denizens of the drawing rooms would scrutinize each other at length, and one’s social standing could be won or lost as quickly as a patroness put a name to a voucher.

It’s no wonder we’re fascinated with “Party Central,” as we imagine all the different scenarios of social interaction and intrigue that can be played out. Oh, to be a fly on the wall!

"Almacks: Tom and Bob Sporting Their Figures at a Fancy Dress Ball" by W. Heath, 1821

“Almacks: Tom and Bob Sporting Their Figures at a Fancy Dress Ball” by W. Heath, 1821

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Previously posted in the former online newsletter Peculiar Ramblings.

Pre-JASNA AGM Day trips: New Albany and Jeffersonville, Indiana

I’m truly on holidays. How do I know this? It’s 27C and sunny! (That’s 81F.) Of course, no one expected this summer-like weather in Louisville, KY in October, but they do it right around here!

New Albany and the Harvest Homecoming Festival

After a relaxing morning to compensate for yesterday’s air travel, Mr. Suze and I headed out for an afternoon of tourism. We checked the forecast, and I was glad I’d thrown one pair of shorts into my suitcase, as it was already warm!

Our destination was lunch at the food booths of the Harvest Homecoming, taking place October 3-11 in New Albany, Indiana, across the Ohio River from our hotel. We caught the #71 bus on Jefferson, about 4 blocks from our hotel.

New Albany, IndianaNew Albany, Indiana 3The trouble was, there were no events for the festival today! The food booths and craft fair start tomorrow, when I’m registered in sessions as part of the 2015 JASNA AGM!

We found a great sandwich place (Toast on Market), then enjoyed a long walk along Main Street then back along Spring Street in New Albany to see many fine houses and large commercial buildings from the 19th century in restored condition.New Albany, Indiana 2The Emporium!

Upon our return to Louisville (pronounced Loo’-uh-vull), I met up with Meryton Press Author Linda Beutler during registration for the JASNA AGM. After a chat and introductions to her friends from JASNA SW Washington/NW Oregon, we were about to set off to rest before dinner.

But first, we peeked into the Regency Emporium rooms to see all the goodies that were for sale: gift items with Austen quotes, both modern and Regency jewelry, top hats, hairpieces and wigs, paper products, “grown-up lady’s” caps similar to the John Williams Dress Cap pattern from 1826 in simple muslin, wax bas-relief profiles, books, toys, and more. Fewer than half the booths had merchandise (6pm Wednesday).

Ready-made Regency gowns were for sale for $200-$300 in a rainbow of colours, multiple styles including pre-Regency, and many sizes, mostly larger! The fabrics and finishing details showed off the designer’s ability to make each gown special, and I recognized her from Etsy (I think–if it’s the same person). Her work often has modern flair, but it’s so pretty, only the snottiest costumers will whisper and point. Most JASNA-goers will be pleased to see such a pretty gown!

My author colleague sneaked an early purchase (the Emporium officially opens tomorrow at 8am) of a beautiful shawl at a budget price from a vendor who also sold sari fabric for gowns, many eclectic books, and a few framed Regency fashion magazine prints! She showed us how to wrap a turban in far simpler terms than the videos, and mentioned she’d learned it from a Canadian! My favourite set of items for sale was right up the alley of the Thrift Shop Regency Costume Experiment: her lovely collection of “found” vintage reticules of all types!

On the way to the elevator, we nearly bumped into a pretty natural blond woman, casually dressed, and wearing glasses–OH! Author Sharon Lathan, one of the organizers of the author signing event on Saturday. She looked like an ordinary person! This is a taste of what to expect this weekend!

Pedestrian and cycling bridge between Louisville KY and Jeffersonville IN. The colours of the lights change regularly, and each side has different unique light towers to guide you up the ramps.

Pedestrian and cycling bridge between Louisville KY and Jeffersonville IN. The colours of the lights change regularly, and each side has different unique light towers to guide you up the ramps.

Jeffersonville via the Big Four Bridge

After a rest, my husband and I met Linda to walk over to Jeffersonville, IN for dinner. The paths along the Ohio river iin downtown Louisville are wide and surrounded by park area, and the huge area of bicycle racks for the weekend’s Iron Man Triathlon event was impressive!

Meryton Press Authors Suzan Lauder and Linda Beutler

Meryton Press Authors Suzan Lauder and Linda Beutler

We thought it was a half hour or so walk–but it turned out to take 50 minutes just to get to the footbridge! We were thirsty!

We chose the first restaurant (Red Yeti Brewing Company) we found in Jeffersonville about another half hour later. A prompt delivery of unsweetened iced tea and we were chatting happily as if it had taken 5 minutes to get there. (I like a little sweetening, but most sweet tea is too much for me, and Linda likes her tannins raw!) The memorable food featured yummy details like bacon jam on the brisket sandwich, and we all declared ourselves satisfied!

The rest was sufficient to restore our energy, and we walked back on the “short cut” along city streets instead of along the riverside, which shortened the trip to under an hour.

Tomorrow, Linda and I will let Mr. Suze explore on his own while we haunt the shops of the Emporium until our seminars start.

Give-aways!

TSRCE Oct 8-12 giveaway itemsRemember, if you’re also here in Louisville with us, and have followed the blog, look out for me so you can meet me to let me know. I’ll be in costume Friday and Saturday, and in regular clothing Thursday and Sunday. The items in the photo will be given away here, a few in each of the next four days.

Linda and I will be signing copies of our books at the author booth on Saturday at 3:45. You can bring your own copy of Alias Thomas Bennet or buy a copy from Jane Austen Books at the AGM (the same for Linda’s 4 JAFF books!), or just stop by to say “Hi!”

For the balance of the followers of my blog, don’t forget to comment, as I’ll be giving away TSRCE prizes to be mailed out to winners of the draw on the blog, too!

UPDATE: Because we’ve had a lot of trouble with spam, some types of email addresses are being blocked by an extra-enthusiastic spam filter. If you’ve had trouble commenting on the blog (get an error message), I encourage you to comment on my Facebook page and mention the difficulties so we know for sure whether our spam blockers are too intense.

On the Road Again, Sans Ball Gown

jonquil original frontjonquil original backA sad event took place last Wednesday. I had to abandon efforts to complete my beautiful jonquil ball gown midway through the project.

My setback was part of a chain reaction from washing a panel of matching fabric to be used to line new gathers in back.

It’s best to wash new fabric in case it shrinks. The fabric came out fine.

 

The Original Plan

jonquil back with faux silk lining shownThe vintage 1960s gown from Women in Need (WiN) Thrift and Vintage Superstore (above and right, before any modifications) would have the following modifications:

  • The back skirt detached from the bodice, the zipper removed, and the center back seam opened.
  • A triangle cut from the former back panels to create Regency side panels 7″ wide at the top and 12″ wide at the bottom.
  • Part of the sheer overdress draping from the original dress, plus matching lining (faux silk from Salvation Army at $2.99 for 2 meters) added as a 24-inch-wide back panel, gathered to six inches wide.
  • The sleeves modified by cutting the overdress draping free at the neckline and reversing it to have a finished look like the artwork below left.
  • Panels from this draping would be finished with beads on the ends like the Regency fashion plate below right.
1815 Stephanie de Beauharnais-Baden wearing pale blue dress by Aloys Keßler after Johann Heinrich Schroeder

1815 Stephanie de Beauharnais-Baden wearing pale blue dress by Aloys Keßler after Johann Heinrich Schroeder

 

Evening Dress October 1811

Evening Dress October 1811

Indian blouse.

Indian blouse.

 

 

 

 

 

 

 

 

 

  • Lace from the Indian blouse was to run along the skirt bottom to lengthen the gown about 1.5 inches. Removal of this lace took quite a while since it was sewn on with  silver thread, which I wanted to retain to match the 1960s gown’s original waist trim.
  • A shirred panel from the ends of the draping would cover two holes in the bodice.

 

 

Disaster hits!

But when I decided to wash the gown along with the new fabric, on a super-delicate cycle, a horrid change took place: pin holes in the sheer fabric enlarged, and the overlay and draping, both from the same sheer material, shrank.

New projects emerged from the fiasco:

  • open the hemline where the overlay was attached to the lining so the fabric would relax before the lace was attached to the bottom of the sheer overlay,
  • cut a new piece from the sheer overdress draping for the back panel as the one previously cut was now too short,
  • re-think the sleeves since I stole the attached fabric for them and the dangly bits to create the second back panel,
  • figure out if I needed to add a panel at the hem for length (Maybe a rouleaux? I know, I keep adding beautiful design details!) now the bottom lace was a little higher,
  • find a way to camouflage the holes on the skirt.

 

I soldier on!

Yellow silk evening dress, 1817, Leeds Costume Collection.

Yellow silk evening dress, 1817, Leeds Costume Collection.

The Thrift Shop Regency Costume Experiment has always been about learning and adapting, and I wasn’t about to abandon this project yet. The back gathered panel, a simple project, turned out well. The gathered bodice overlay was a bit more complicated, but looks pretty.

I patched the holes on the front of the skirt using no-sew tape and tiny pieces of fabric from the overlay, and though they look better, it appears as if I spilled small drops of yogurt on my front!

Museum gowns, period fashion plates and Regency artwork were perused for additional hole camouflage ideas. Due to the location of the holes, I settled on diagonals of shirred fabric to mimic the museum piece on the right. I had plenty left from the Salvation Army piece.

 

Time is my enemy

It was Wednesday, and I would leave Friday morning for a short trip to celebrate my mother-in-law’s 86th birthday and an early Canadian Thanksgiving, before flying on to Louisville for the 2015 JASNA AGM.

Mother-in-law's 86th birthday and cool fall weather.

Mother-in-law’s 86th birthday in Winnipeg, MB, Canada.

In addition to the sleeves and skirt detail to hide the holes, the ball gown needed other work:

  • install the tapes with hooks and eyes on the back bodice to replace the zipper,
  • re-attach the waistline trim,
  • trim the neckline and sleeves with narrow silver braid to coordinate with the other trim,
  • use the same narrow silver trim to make the faux diamond back.

I was still thinking through the process and finish for the diagonal pieces on the skirt. I estimated this part of the project would take a full day.

The jonquil gown’s sleeves would take yet another day to design, make a pattern and at least one mock-up, and attach. Either of the two ideas that follow would be created with scraps of sheer draping and some of the faux silk.

1810 Ball Gown with pearls.

1810 Ball Gown with pearls.

Sleeve detail for 1811 gown, Metropolitan Museum of Art.

Sleeve detail for 1811 gown, Metropolitan Museum of Art.

 

 

 

 

 

 

 

 

 

 

No way could I finish this gown on time.

On top of those issues, several other machine-sewn projects were required for to the conference:

  • my spencer and the gentleman’s tail coat needed buttonholes–buttons had been temporarily attached to make deadlines for the blog posts!;
  • the white Swiss dot gown needed fake long sleeves, as the originals had been removed and short sleeves added, intended to make the dress flexible for morning or afternoon wear;
  • some pretty sheer fabric with white embroidery would be made into a fichu and, with the addition of some organza lace, a second cap.
  • Mr. Suze broke the cheap plastic belt lining product I’d used for his suspenders, and we had to purchase new banding and attach.
The jonquil ball gown needed too much additional work to earn its full parasol, and time ran out!

The jonquil ball gown needed too much additional work to earn its full parasol, and time ran out!

I also had numerous hand-sewn projects that would be tackled on the trip, such as 14 buttons on Mr. Suze’s tail coat and re-attaching the lining to my hat, which was not staying put with the double-sided tape.

Dozens of bags and containers of project items had to be packed up and stored after all this sewing, and I had to pack for a trip to two climates.

Something had to give, and the jonquil gown was sacrificed. I stopped all work on in mid-day Wednesday.

 

On to packing– but what to wear for the ball?

I had to quickly re-think possibilities for a ball gown. In a panic, I packed potential items that could be modified by hand, but were the dreaded polyester, and not my colour.

The alternative is the Swiss dotted gown (my original morning gown), but its fabric and style is less formal, better suited to an afternoon or dinner gown in its short-sleeved version.

I was in a terrible rush by the end, and didn’t stop moving from 7am Thursday to 1am Friday. I didn’t have time to make the new cap for day-wear, and have to wear my small-fitting first effort, made from cheap polyester lace at the last minute for my local JASNA’s Jane Austen Tea (an earlier blog post).

After the fact, I thought of a half dozen items that I should also have packed, e.g., my turban was to match the jonquil, and now I have to re-think headwear for the ball. I forgot my Alias Thomas Bennet book bead bracelet, which matches my editor and artists’ versions and would have been perfect for the book signing on Saturday prior to the promenade and ball.

I haven’t decided which way to go for the gown, and the only way to know is to watch my blog!

Next post: Louisville!

 

***UPDATE! Don’t forget to comment on The Thrift Shop Regency Costume blog posts, or find Author Suzan Lauder at the Louisville KY JASNA AGM for a chance to win items from the Experiment! Daily prizes October 8-12!

 

 

Tips for Faking Regency Costume Details #2

Clocked is a strange word. When I was young, when someone said “I clocked him,” I’m pretty sure it meant they hit him hard. I think it meant in the head, but I’m not sure. It’s not a word that I use in everyday conversation.

In Regency fashion, there are clocked stockings. This does not refer to anything resembling a clock as far as I can tell. It means stockings with a design on them.

Faking Regency Designs on Gloves and Stockings

Embroidered kid gloves, 1800-1830, National Trust Museums

Embroidered kid gloves, 1800-1830, National Trust Collections.

1775-1829 stockings, Victoria and Albert Museum

1775-1829 stockings, Victoria and Albert Museum

Embroidery or painting on stockings and gloves was an embellishment that was enjoyed by at least a few Regency ladies (and men), judging by the museum examples. Interestingly, an etiquette book of the time, Mirror of the Graces, frowns on clocked stockings. It looks like fashion won in consideration of a stuffy old guidebook!

Some of my stockings and gloves got a fake Regency treatment this weekend: I used fabric paint to apply designs. A stencil purchased for half price at Michaels was used in three different ways, by masking some of the areas with packing tape each time. Once I’d done all I could with the stencil, I decided to try a bit of freehand with the four colours of paints I had.painting accessories all

The floral designs on the white tights and the short and long white gloves were made with the stencil. The pink long gloves and the knee-high stockings are my attempt at freehand, loosely referring to photos of existing museum pieces (see below). Not bad for a non-crafty redheaded romance author!

Cotton fabric embroidered gloves, circa 1790-1810, bias cut for stretch, gold and sequinned scrollwork, pale pink, floss silk detailing.

Cotton fabric embroidered gloves, circa 1790-1810, bias cut for stretch, gold and sequinned scrollwork, pale pink, floss silk detailing.

Stockings, early 19th century Cooper Hewitt collection

Stockings, early 19th century, Cooper Hewitt collection.

Stockings, 1810, English, Kyoto Museum

Stockings, 1810, English, Kyoto Museum

 

 

 

 

 

 

painting accessories closeup to show detailI didn’t bother with the coloured tights as for now, the colours don’t suit my gowns.

The pens tended to bleed in the fabric, and the bottled paints were a bit puffy. After the first items, I used the pens for light lines and not fill, and used a Q-tip to apply the paint so it was smoother. If I was doing this again, I’d consider getting additional colours, but these were all I found on sale the day I bought them at Michaels.

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How to Make Easy Back Gathers on Regency Gowns

One of my favourite tricks for faking Regency is to use drapery tape to make the back gathers for a gown. The tape must be the kind that makes all uniform gathers, and not pinch pleats. I had some 1″ wide tape I got in two meter-long pieces at a thrift store for $1 a long time ago. I used it to make the last-minute “emergency” gown for the JASNA outing I had a few weeks ago. Belt backing tape can be seen for the non-gathered part.gathering tape and waistband material inside paisley embroidered fabric for use as a skirtpaisley fabric gathered using drapery tape

There are two ways to use the drapery tape to make your Regency gathers in the back of the gown.

  1. The simplest is to machine sew the tape onto the gown. Take care not to sew on the strings. Gather using the strings, tie the strings, cut shorter, and leave in place.
  2. The second method allows re-use of the drapery tape and less bulk in the back of the gown. Hand-baste the drapery tape on, but do not lock the end of your basting thread, rather, leave an inch or so free. Once you’ve sewn your skirt to the bodice, the gathers are fixed, and all you need do is tug on the knot on your basting threads to pull them free and remove the drapery tape to use on another skirt.

You want to have at least three times the width of fabric as your final gathered amount, and 4-5 times looks pretty.

Depending on your fabric, you may want to leave a seam allowance above the drapery tape. Because my fabric (above) had a border, I ran the tape at the top edge, then hand-stitched it to the bodice.

If you’re interested in standard methods for gathering fabric, this video from Teach Yourself to Sew shows three different methods.

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To Zipper or not to Zipper–or To Fake!

When you get a vintage or other type of newer-than-Regency gown and wear it for a Regency gown, to be authentic, you should remove the zipper. Regency alternatives were ties, hooks and eyes, or buttons, or they were pinned closed by a lady’s maid.

In most cases, a replacement closure for the zipper is not necessary on the skirt, as the ribbon or belt holds the top edges together. The skirt is loose due to the gathers, and should overlap. The concern would be to ensure the bodice fit is snug.

There may be gaps between the replacement closures. In the Regency, so many undergarments were worn, the gap was of little consequence; however, some modern women balk at the idea.

ribbon ties on back of original morning gown suzan lauderMost often, Regency gowns used ties to close at the back, and this is an easy-to-install and inexpensive closure. Discount and craft stores have narrow ribbons in limited colours for under $2 a roll, and attractive cords are under $1 a meter.

In the absence of a lady’s maid, to fake Regency with modern modesty, retain your zipper and add ribbon or light cording ties over it at a couple of locations. At right, two are tied and the lower one is not, so you can see where they’re attached. Care must be taken not to catch the ties when using the zipper.

At 12″, mine were too long; 6″-8″ would suffice.

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To close the front of the “emergency” gown, I used hooks and eyes. This is not truly faking as they were common on Regency gowns. When hooks and eyes were used, seamstresses weren’t stingy, and used a lot of them.

Packages of individual hooks and eyes are inexpensive, and come in black, white, or steel in most stores, and some stores offer additional colours at a premium. They are fussy to sew on individually but are excellent in some cases, such as holding a short width or edges together.

For ease of installation when multiple hooks and eyes are needed, cotton tape with hooks spaced about every inch, and matching tape with eyes, is sold by the meter. I was lucky to get the tape with hooks on sale, but the tape with eyes was regular price.

An alternative to the tape with eyes (at half the price per meter) is a product intended for long rows of buttons, which looks like woven cording with loops every half inch or so. The loops appeared to align with the hooks, and for short lengths, they’re okay, but they’re just enough out of sync that, for longer lengths, I need to skip an extra one every so often.

As you can see, I used both types: tape on the crossover v-neck and individual hooks on the belt edge of the skirt. The installation was fair to both right and left handed openings!

hooks and eyes on emergency dressemergency dress closure

 

 

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As much as we like buttons these days, they were less common on Regency women’s wear. Jane Austen remarked in a letter to her sister Cassandra that buttons were quite dear. Men’s clothing most often had self-covered buttons, but ladies’ used metal, shell, ivory, stones, gems, and similar materials.

Mother-of-pearl buttons are okay if you can find them, as are buttons made with fine cording such as Dorset buttons. Don’t use plastic buttons unless they are an excellent fake.

Pearl and metal buttons, 1780 to 1820, Luckcock Collection, Birmingham Museum of Art

Pearl and metal buttons, 1780 to 1820, Luckcock Collection, Birmingham Museum of Art

Dorset buttons

Dorset buttons

You could put fake buttons and loops on the gown just as you did for the ribbon ties, and keep your zipper.

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Next post: I left all the hand-sewing for items like Mr. Suze’s coat to the last minute, and not much new is happening at the moment! I’ll try to take a photo or two of my ball gown as I complete it this week, but since I’ll be traveling prior to the JASNA AGM in Louisville, Kentucky on October 9-11, 2015, it will be a meager post!

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The best word EVER: GIVE-AWAYS!

On October 8-11, while I’m in Louisville, there will be a draw for daily prizes from my stash of reticules, Regency accessories, and other goodies. The Regency items are one-of-a-kind. Though they’re hand made by someone who’s not crafty (so less than perfect), I’ve signed each one and added my signature pagoda parasol.

There are two ways to enter:

1) Comment on any Thrift Shop Regency Costume Experiment post on road trips with the redhead, with your email address (username at host dot com), or

2) approach me at the JASNA AGM and ask for a Parasol in a Ballroom. I’ll collect your name and email address.

**The first person who enters either way whose initials are M.C. is an automatic winner of a velvet reticule with your initials embroidered on it!

I’ll attempt to deliver winning prizes from the AGM while I’m there, and blog comment prizes will be mailed. Good luck!